A Quote by Janice Dickinson

I can only speak from my own personal experience, being behind the camera and in front of it, but every magazine cover you see is completely airbrushed. — © Janice Dickinson
I can only speak from my own personal experience, being behind the camera and in front of it, but every magazine cover you see is completely airbrushed.
Being behind a camera, in front of the camera, is my own little deconstructionist niche.
Let me just say that every cover of every magazine I've done has been airbrushed to death. No woman should walk around thinking that's what they should be. You shouldn't be beating yourself up.
I have belly fat like everybody else, and I don't want to be airbrushed on the cover of a magazine.
Cinematography is so much about instinct and intuition - you want the same range of experience going into behind the camera as what you see in front of it. Your life experience will come through the lens.
Every man carries two bags about him, one in front and one behind, and both are full of faults. The bag in front contains his neighbors' faults, the one behind his own. Hence it is that men do not see their own faults, but never fail to see those of others.
Ladies, please remember that every single picture you see in a magazine is airbrushed...we do not look like that. Love yourself!
For me, being a complete artist means not necessarily just being in front of the camera, but being behind the camera or being the originator or creator of something.
I would like to see more films being made with people of color behind the camera and in front of the camera, because the more times at bat we have, the better we get.
I'm so into making music and being behind the scenes. I'm such a visionary person that I don't see myself being the person in front of the camera or the person in front of the mic.
It's nice being able to speak for myself. Every interview I did for so many years and every time I was in front of the camera, pre-Twitter, there was no way for me to speak for myself. Every interview started with, 'What was it like to work for this man?'
'Hollyoaks' is where I learnt a lot of the craft, being in front of a camera six days a week. That's certainly an experience you don't get in drama school. It invites you to be comfortable in front of the camera.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
I think the perception of me can be, you know, confused. But that's only because people only see that side of me when I'm at work, in front of the camera. So they don't see Miranda at home; they don't see behind the scenes. They see the glamour of it all but they don't see Miranda standing barefoot in a dirty old house.
One of the great advantages of my time spent in movies and in basically every role possible, both in front of the camera and behind the camera, that I've gotten to see all these different ways that people work and the way movies are constructed from the inside out, from beginning to end.
There is a narrative behind every image. I often imagine being able to see the photographer standing behind the camera, or perhaps crouching or running with it.
I think the perception of me can be, you know, confused. But thats only because people only see that side of me when Im at work, in front of the camera. So they dont see Miranda at home; they dont see behind the scenes. They see the glamour of it all but they dont see Miranda standing barefoot in a dirty old house.
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