A Quote by Janine and The Mixtape

I got into music because my Dad used to tell everyone I had the voice of an angel when I was two-years-old. — © Janine and The Mixtape
I got into music because my Dad used to tell everyone I had the voice of an angel when I was two-years-old.
Grandma Holly told me at three years old that I had a voice of an angel, and I just never stopped singing.
I got a horse when I was eight or 10 years old. And dad used to take me to the rodeo back home. I got into it big time.
My dad used to be a rapper, he had a rap group. They did proper old school, boom-bap music. He had a high top and everything.
I always used to listen to quite a bit of classical music because my dad liked it, and if you've got any ear for music at all you have to enjoy Mozart.
My dad had a soccer school that he used to run, the Mark Chamberlain Soccer Academy, I used to go to that for two years until the age of seven.
I used to tell myself when I was much younger that I didn't want to wake up one day and be 32 years old and still playing records. It's just not going to happen. Well, the joke is on me, because I'm 56 years old now.
When I was 12 years old, my dad got into country music. My first CD was Wynonna Judd, and I loved it.
It is a fact that everyone's got a limited run in music - but who's to say how long that run lasts? I used to think that there would be no way I'd still be in music when I was 40. I used to think anyone who was 40 was an old man, and they probably shouldn't be doing it anymore.
[Miles Davis] learned from everyone. He was incredible. He took the best from everyone and threw away the rest. He was brilliant. One of the things he told me he loved about my voice was how I used space-both in music and between my voice and the mike.
I was like 13, 14 years old. I had a Rock Band mic, and I used to record music and put it on YouTube and DatPiff. Then I started getting to producing my own music because I didn't want to keep rapping on beats I was getting on SoundClick.
'Konnichiwa,' to me, is a classic because I don't make music for today where everyone is going to judge what I did in two years; they're gonna tell me today.
In the show, we have recreated two sketches that my dad had, or pieces that my dad had developed. One that he had developed with my mother, one that Frank Oz had developed with my dad. And these are old pieces from the '50's and '60's, and we're going to develop more, too.
My dad's an actor. Ever since I was little, I'd watch him do it, and I was always very into it. I got into when I was about two years old. I started out with print work, doing modeling and stuff. Then I got into commercials and TV. Once I started, I loved doing it. It's just something that I've continuted over the years, and I love it.
I tried to concentrate on the angel's voice instead. "Bella, please! Bella, listen to me, please, please, please, Bella, please!" he begged. Yes, I wanted to say. Anything. But I couldn't find my lips. "Carlisle!" the angel called, agony in his perfect voice. "Bella, Bella, no, oh please, no, no!" And the angel was sobbing tearless, broken sobs. The angel shouldn't weep, it was wrong. I tried to find him, to tell him everything was fine, but the water was so deep, it was pressing on me, and I couldn't breathe.
Weight used to be an issue. I was always fat as a child. And everyone used to tell me, 'You've got such a pretty face; why don't you lose some weight?' Over the years I've realised that my body is a certain type, and I have learned to accept it.
After years of touring, my voice has gotten a lot stronger. I used to just blow out after two or three shows, so I've definitely trained my voice, because I can now hit notes that I couldn't hit before.
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