A Quote by Janusz Kaminski
I just directed another picture called 'American Dream' with Nick Stahl. Just finished shooting principal photography right before I started ['Lincoln'].
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Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'
I'm very excited about is that my son Scott is a director and he just finished his first picture. It's called "Lucky 13", it's a low budget picture, it stars Jeremy Dillon, Daryl Hannah and Jami Gertz.
In the history of photography, one process has always replaced another. The tumultuous realignment that's going on in the photography now is really just a natural evolution. The irony is that none of the processes that have been replaced have disappeared. More people than ever are practicing every approach to shooting and printing.
I produced the Buckcherry album and I just finished a band called American Pearl on Wind-Up Records. That's Creed's label. They're pretty rocking. Now I'm looking for another band to produce.
Right before 'American Dreams,' I started to pursue these avenues, like short films and getting into a couple night courses to really study photography and cinematography, and the language of visual storytelling.
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
When we finished 'Stop Making Sense,' we went right to the San Francisco Film Festival for the world premiere, and people swarmed the stage and started dancing before the first song was even finished.
Smokey and the Bandit was the first picture [Hal Needham ] directed, and I knew he could handle it. I had just directed Gator, and he saw my style and used that as a pattern.
John Hawkes is amazing. I really want to meet that man; he's so good. Him and Ben Foster, and I'm a big fan of Nick Stahl - those are my three guys.
My granddad passed away a month before I started shooting for 'Ishaqzaade,' and my mom died just before the film's release, both within a year of each other.
You can just start shooting things and see how it goes. But time is still money, so you have to know when you are finished. It's not like painting a picture which you could go on refining for 20 years - with a film you have to stop at some point, and that is no bad thing.
There were times when I got frightened. Things weren't going right, so I just went out and got smashed. That's me. Something goes wrong, I find a bottle. I don't like it about myself but I've done it before and I'll do it again. But I never vanished for days or held up shooting or quit the picture.
There's been more written about Lincoln than movies made about him or television portraying him. He's kind of a stranger to our industry, to this medium. You have to go back to the 1930s to find a movie that's just about Abraham Lincoln. I just found that my fascination with Lincoln, which started as a child, got to the point where after reading so much about him I thought there was a chance to tell a segment of his life to to moviegoers.
I am just a beginner. The two films so far are baby steps. If I develop an attitude, I'll be finished even before I've started. Besides, if I started misbehaving, my folks would give me a tight slap.
You can't start a movie by having the attitude that the script is finished, because if you think the script is finished, your movie is finished before the first day of shooting.
There's an excellent movie we have on TCM called 'It Happened on Fifth Avenue,' which was originally going to be directed by Frank Capra... but just before he was going to start working on it, he came across this story called 'The Greatest Gift.' And that turned into 'It's a Wonderful Life.'
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