A Quote by Jasmila Zbanic

When I go to a cinema, I don't care if the film is made by a man or a woman as long as it tells me a story, as long as it offers pictures that shed light on my existence, characters I can identify with, jokes I can laugh at.
But actually making pictures to look like my pictures, I've done it for so long, I'm kind of used to it now. So at the beginning of the process, designing and storyboarding everything, I sort of did all that. And then designed the characters, and doing the textures for the characters, and the texture maps to cover all the animated characters and the sets, I did those, because that's where my sort of coloring and textures get imprinted on the film.
I feel with this film that as long as we tell Philomena's story and as long as we're true to her, which Jeff and Steve have already done by writing the story... we must not sell her short;. She's a most remarkable woman and all my concern was that we must be absolutely true to her story.
I don't care what a man is as long as he treats me right. He can be a gambler, a hustler, someone everybody else thinks is obnoxious, I don't care so long as he's straight with me and our dealings are fair.
That's what everybody tells me. "I would've had a great comic-book collection, but my mother made me throw them away." But when I was growing up, my mother didn't care. As long as I was reading, she didn't care if my room was filled with comics. I could have saved everything. I was just too stupid to do it.
I do not want to be a part of Hindi cinema's rat race. But yes, if I get offers and characters which I feel would suit me as well as make some difference to me, I will do a Hindi film.
I had always thought of myself as a sanguine person, quite light and airy. But for a long while, no one could have possibly made me laugh or smile. It was awful.
I am deeply spiritual; I revel in those things that make for good - the things that we can do to shed a little light, to help place an oft-dissonant universe back in tune with itself... Long live art, long live friendship, long live the joy of life!
It makes it very easy. I have a beginning, middle, and end, and I don't film for long - about 20 hours usually for a two-hour film - so it's easily watchable in a week for me and the editor. Once I know who the characters are, I only film those characters, unless somebody else forces their way into the film by a scene happening to them or we meet them by chance.
In 'Mr Shrimati,' I had a long role as a woman. A cabaret number was also picturised on me. I really worked hard in that film and feel that to date, no man has matched my level when playing a woman.
If you can’t laugh together in bed, the chances are you are incompatible, anyway. I’d rather hear a girl laugh well than try to turn me on with long, silent, soulful, secret looks. If you can laugh with a woman, everything else falls into place.
You couple that with how I looked when I was younger, and growing up... The voice is not quite breaking. It's awful. No, I don't enjoy that at all. But that's one of the things people love and find so endearing about the Harry Potter series, and why they've lasted so long. Because people have grown up with us, and they care about the characters. They're not just some characters in the film, they're people you can relate to, and you care about, and you grew up with, and when they die in this film, people feel it!
My mother had found this album of all these old slides from the '50s of me as a kid and I said, 'We should have these made into pictures because the color's so beautiful.' There were pictures of me from 1955 as a little baby wearing all these elaborate outfits, and in these pictures was this amazing story of a gay man and his mother.
I am absolutely okay with jokes on me now, but initially, yes, I was perturbed ki why me? I am not a personality on whom jokes are made randomly. Later, I was like, if everyone is enjoying jokes on me, even I should laugh it off instead of opposing them.
I loved Omar Vizquel. He tells some really long jokes, and he has his own way of telling them, but he can make every joke very funny. He would always come up with jokes on the loudspeaker on the bus.
I believe you shouldn't force the audience's interpretation of a character or a story. The more you explain things, the less intriguing and imaginable they are for viewers. . . . Film to me, in its essence, in its ultimate nature, is silent. Music and dialogue are there to fill what is lacking in the image. But you should be able to tell the story with moving pictures alone. For my next project, though, I'd like to make the kind of film where the characters blabber all the time.
I began my career creating art for an animated feature film, and it has been a life-long dream to tell some of the story of my own life - the story behind my art - through the medium of motion pictures.
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