A Quote by Jason Moore
'Clueless' is an adaptation of 'Emma' by Jane Austen. It works either way: if you know the book and if you don't.
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From a plot perspective, what I finally found for my touchstone was that I consider 'Upside' to be a loose telling of Jane Austen's 'Emma,' or 'Clueless.'
I once rented the Georgian town house that Jane Austen lived in down by the Holburne Museum - so I lived in Jane Austen's house, and slept in Jane Austen's bedroom. You can walk along these Georgian streets and it's like you're in a Jane Austen period drama.
The latest gorgeous entry in the Belknap Press' growing library of annotated Jane Austen novels arrives, this time the mighty Emma under the exactingly careful guidance of Bharat Tandon of the University of East Anglia. Belknap has once again done its end of the job superbly: the book is a physical treat-luxuriantly over-sized, heavy with quality paper and solid binding, decked out in a beautiful cover and dozens of well-chosen illustrations throughout. This is one of the prettiest Jane Austen volumes available in bookstoresthis season.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
I'm totally in love with Jane Austen and have always been in love with Jane Austen. I did my dissertation at university on black people in eighteenth-century Britain - so I'd love to do a Jane Austen-esque film but with black people.
My theory in the '90s was that I didn't want to take a Jane Austen book I loved and reduce it to a 90-minute movie. The Emma Thompson-Ang Lee 'Sense and Sensibility' was beautiful, but other ones, I didn't think justice was being done. It's not a slam dunk to adapt these books.
When I was in my twenties, I strongly identified with Jane Austen's 'Emma' - her human failings mixed with a desire to do good.
I'm named after Jane Austen's Emma, and I've always been able to relate to her. She's strong, confident but quite tactless.
I've been fortunate in that I never actually read any Jane Austen until I was thirty, thus sparing myself several decades of the unhappiness of having no new Jane Austen novels to read.
And I love Jane Austen's use of language too--the way she takes her time to develop a phrase and gives it room to grow, so that these clever, complex statements form slowly and then bloom in my mind. Beethoven does the same thing with his cadence and phrasing and structure. It's a fact: Jane Austen is musical. And so's Yeats. And Wordsworth. All the great writers are musical.
I knew a bit about 'Emma' through the book when I was younger, but actually more from 'Clueless'.
I am a Jane Austenite, and therefore slightly imbecile about Jane Austen. My fatuous expression, and airs of personal immunity-how ill they sit on the face, say,of a Stevensonian! But Jane Austen is so different. She is my favourite author! I read and reread, the mouth open and the mind closed. Shut up in measureless content, I greet her by the name of most kind hostess, while criticism slumbers.
One doesn't read Jane Austen; one re-reads Jane Austen.
Growing up, I mostly read comic books and sci-fi. Then I discovered the book 'Jane Eyre' by Jane Austen. It introduced me to the world of romance, which I have since never left. Also, the world of the first-person narrative.
'Emma' is my favorite Jane Austen novel - one of my favorite novels period; a novel about intelligence outsmarting itself, about a complicated, nuanced, irresistible heroine who does everything wrong.
I actually didn't like Jane Austen. I was more into the Brontes. They were so wild and passionate. I thought there was something a bit tame about Austen.
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