A Quote by Jason Moore

'Grease' was how I learned that I really liked music and musicals and movies that included music. — © Jason Moore
'Grease' was how I learned that I really liked music and musicals and movies that included music.
I went to school to learn guitar, solfeggio, and harmony. I wanted to know more about music, how it works. I wanted to take voice lessons, too, and that's when I discovered what I could do with my voice. At the beginning, I thought I would do classical and pop, but then I learned that I really liked the classical music.
Because music wasn't free yet, they wouldn't really offer MP3s so you had to buy things to see if you liked it or not. Which is crazy if you think about how much music you bought and then didn't even like the stuff. It was a different world where bands made money off their music.
My dad was a jazz fan and he used to have lots of old 78s, so I grew up with big jazz bands and the likes of Duke Ellington and Count Basie - although I really liked show tunes from those big musicals as well. I've always kept my ears open, as it were, when it comes to music. It doesn't matter to me what type of music it is. If I like it, I'll listen to it.
I never liked opera growing up. I always liked chamber music or solo music even more than orchestral music.
I try to make music that's really real. I've always liked music that makes me feel something. I'm not a brain first, music second person.
When I learned to play music, I was listening to blues music. And all the blues music I liked was super simple and stripped down. And then all the hip hop I liked was super simple and stripped down and we always heard that connection.
I didn't really know a lot about music when I started out, but now I've learned how to write music or make melodies.
I have to say that movies have as much impact on me as music. And that I learned as much about narrative from movies as I did from reading novels, how to arrange stories, how to juxtapose things.
We've always liked music in movies, you know, just 'cause it helps tell the story. It can be emotional. It can be funny. It can be so many different things. And it just and it gives you variety from and again, there's a certain stylization that happens with music. Animation and music seem to go together well.
A lot of people are going to hate me for saying this, but one of my least favorite kinds of music, or the kind of music that I feel I've so got out of my system, is musicals music.
You know, sound was still a fairly new thing when I came into movies. And the reason musicals happened is because of sound. They could put music in the picture! That's how it all began.
I was involved with sports and student government, the regular stuff. I liked movies and all, but I did love the singing and putting on musicals, and I was always comfortable with that. I liked it.
I often begin movies with music in my head; it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.
The joy is actually in the music. It's the music that supports you and tells you what to do. It tells you how to fill the music. You don't have to be shy about feeling the music when you're singing. If you believe in music-the power of music-the music will support you and take you to another dimension.
Jordan [Ruddes], he learned that way, and that's what he knows how to do. That's how he kind of approaches all music, whether it's to learn a cover song that we're going to play, or to review Dream Theater music - he always uses charts. That's what he knows. I really rely a lot more on memory.
I love soundtracks to movies and am always touched by the music if it's good. The music in some old Disney movies, like 'Pinocchio,' 'Alice in Wonderland' and 'Peter Pan' really gets to me.
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