A Quote by Jason Reece
Without trying to get too self-indulgent, there's a fine line between making something that's soundtracky and cinematic, or making it sound like a bad 70s prog-rock record.
Related Quotes
Well, I think baseball should be fun, but there's always a line. There's a fine line with everything. Where's the line between making it fun and making it disrespectful.
I haven't been walking around for years with some burning desire to do a solo record. If I had, maybe I'd have made a record that was experimental. Usually, the idea of a solo record is to get some weird stuff out of your system, but I don't think like that. I wasn't interested in making something that was a hard listen - maybe I'll get around to that some other time. I wanted it to sound effortless, not like I was trying to reinvent the wheel.
When you're making this kind of music, you don't need a producer. If you're making pop albums or trying to write hit singles, then yeah, but if you're writing 20-minute prog epics, as long as you know how to make it sound good, and you have a good mixer, that's all you need.
Coming from heavy music too, it's really hard to have heavy music not sound too butthead-ish or jock-ish, and there's a fine line between Limp Bizkit and Nirvana - there's a fine line there, and it's terrifying.
I tried too much and too hard to get people to pay attention to what I was doing, and so paying less attention to what I actually wanted to do. It's something you see a lot with very young bands who are desperate to get a record deal so they're trying to sound like something else.
I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile? At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.
We grew up listening to alternative music from the '90s, and there was no shame in being on a major label and still making the music you wanted to make. I feel like rap rock came around and drew a line in the sand, and everybody that was like me ran away from that and started making indie-rock.
It is a fine line between making fun of the right thing and making fun of the wrong thing. And the language oftentimes is the same.
When you're making a record - and I've never said this to anybody, but it's true - when you're making a record, and you go, 'Man, this might win a Grammy!' you feel that level of confidence when you're making a record.
I think something that is never really spoken about is the learning process of making records - I made my first record at twenty one and learned so much about record making from that before making 'Bomb In A Birdcage' a couple of years later.
In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking.
Making 'Sound of Silver' was very emotional at times, where I just hated making that record.
I'd like to walk that fine line between the authentic artist self and the manufactured artist self. I'd like to exist outside of a set of expectations or assumptions about what the Kehinde Wiley brand is. And I'd like to walk towards something that's a bit more unpredictable, human.
For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
Self-indulgence takes many forms. A man may be self-indulgent in speech, in touch, in sight. From self-indulgence a man comes to idle speech and worldly talk, to buffoonery and cracking indecent jokes. There is self-indulgence in touching without necessity, making mocking signs with the hands, pushing for a place, snatching up something for oneself, approaching someone else shamelessly. All these things come from not having the fear of God in the soul and from these a man comes little by little to perfect contempt.
