A Quote by Jason Reitman
I'm really attracted to authors who take on really tricky material with a very open mind and take a subject matter that you wouldn't think would be a comedy.
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I always thought it would be really, really cool to play Edgar Allan Poe, because when I was a kid, he was one of the authors who really blew my mind open to all sorts of weird dark and twisted places.
One of the things that comedy has given me over the years is a really good ability to laugh at myself and to not take things that don't really matter too seriously. I feel like very little offends me anymore. I'm really grateful for that because I think I was a pretty uptight little kid.
Take away from English authors their copyrights, and you would very soon take away from England her authors.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
One of the things that comedy has given me over the years is a really good ability to laugh at myself and to not take things that don't matter too much too seriously. I feel that very little offends me anymore and I'm really grateful for that because I think I was a pretty uptight little kid.
Comedy is actually very hard. It's hard to choose those moments and know when you can really push it, and know when you should be bringing it back and making it more subtle, and knowing as time goes on, as you do take after take and the crowd around you stops laughing. Whenever you do comedy, you realize you're up against - you're performing next to people who you would think are so unbelievably good at it, that that's a bit of a pressure. But at the same time, it's just fun. It's fun to be able to let out that side of you.
I think art is beautiful. It's decoration and adornment. But art is also a really important vessel for social change, and social change begins with thought. And so if you can find humor in something and take a moment to rethink it, you can take a step back and look at your values from a different angle. I think that's a really important way of carrying on with life. I think the best art for me is funny and the best comedy for me is art. Some of my favorite artists are comedians. Comedy is art, and art can be comedy, and the intersection is vital - at least for my own work.
The best adaptations are the ones that really excavate the material. The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing and put it into a story.
In comedy you have to be willing to not take yourself seriously, you know? I take comedy really seriously, and so to take comedy seriously, you must not, you cannot, ever take yourself seriously.
I don't mind being ridiculed - well, I guess I would mind a little, but it would only last a few minutes - it's all very ephemeral; it doesn't really matter what people think of me.
I am a man with an open mind. I really don't know anything, but I'm very interested in the spiritual and the material.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
There are photographers who don't really engage with their subject. It's a really unfortunate phrase, but they take their photo and they leave with it. It works but I think it ultimately limits how profound the work can be.
The subject matter is very tricky. It's about the Munich massacre and what Mossad did afterwards with the assassination squads. I think it's a turning point in history, especially for the Palestinians.
I'm always open to suggestions. I'm open to opportunities. Whether I take them or not, I don't know. And I would only take them if I weren't training, if I didn't have a fight scheduled. I really want to keep my focus on fighting. That's where all these doors are opening up from anyways. I don't want to lose sight of that. I love fighting.
In old days the public didn't really mind much about accuracy, but nowadays readers take it upon themselves to write to authors on every possible occasion, pointing out flaws.
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