A Quote by Jason Reitman
'Alien' asked ground-breaking questions about eco-politics and female empowerment. 'The Matrix' delved deeper into the concept of perception versus reality than perhaps any other film I know. But for some reason, we tend not to remember the significance of their writing.
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Long ago, during my apprenticeship in the wine trade, I learned that wine is more than the sum of its parts, and more than an expression of its physical origin. The real significance of wine as the nexus of just about everything became clearer to me when I started writing about it. The more I read, the more I traveled, and the more questions I asked, the further I was pulled into the realms of history and economics, politics, literature, food, community, and all else that affects the way we live. Wine, I found, draws on everything and leads everywhere.
Well, politics is much more severe than entertainment. You have to hit those points, in politics, word for word. You have to remember the date. You have to remember the website. You have to rehearse stories that might be asked, have anecdotes ready for questions that might come up.
The most embarrassing part of the film is that the new problem posed by simulation is confused with its classical, Platonic treatment ... The Matrix is surely the kind of film about the matrix that the matrix would have been able to produce.
I do not remember any questions in my childhood other than questions about death and about loss, and it was clear that the books that filled the house were not as interesting as the conversations outside.
I fall in love with certain stories. Those stories tend to be connected to my life some way - for instance, with my first book I was writing about the experience of coaching Little League in the Chicago inner city. But the common thread tends to be exploring some kind of mystery. Simple questions that spiral deeper.
I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.
I've always talked to players about perception and reality. I don't worry about perception. There may be some of that, that people want to attach to a good name, but the reality is that some good things can happen.
I sometimes think I was always left-wing. I know that sounds completely crazy, but I do know that I asked questions when I was about four, and I remember noticing that I wasn't getting an answer, and I remember it annoying me.
I feel that for a lot of my career, I had success, I was adored, but I was also this alien creature. I want to show that I have the skill like any other female model, and I'm asking for the same equal treatment and equal respect as any other female model.
I feel a little uncomfortable at being asked the sorts of questions that other Catholics in public life tend not to be asked.
My father was the Prime Minister of Pakistan. My grandfather had been in politics, too; however, my own inclination was for a job other than politics. I wanted to be a diplomat, perhaps do some journalism - certainly not politics.
Quite early on, and certainly since I started writing, I found that philosophical questions occupied me more than any other kind. I hadn't really thought of them as being philosophical questions, but one rapidly comes to an understanding that philosophy's only really about two questions: 'What is true?' and 'What is good?'
Well, I think I'm not a non-believer, and I'm not a believer. But, on the other hand, I couldn't give you a good enough reason why EVP doesn't exist. I don't know enough about it, so how could I say it's not true. Plus, a person's reality is a person's reality so that's your belief system. It's all perception anyway, isn't it.
More than half the questions I am asked are about the politics of the way I look
When the producers of 'Why Poverty?' came to me to do a film about poverty in the United States, I asked if I could do a film about wealth instead. I tend to make films about perpetrators, rather than victims.
Photography does deal with 'truth' or a kind of superficial reality better than any of the other arts, but it never questions the nature of reality - it simply reproduces reality. And what good is that when the things of real value in life are invisible?
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