A Quote by Jason Reitman
Doesn't every generation feel like the one that's coming up behind them doesn't know how to grow up? I'm not sure if we're progressively getting worse or if your perspective shifts.
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When you look at what [new generation] believe in, how they value diversity, how they believe in science, how they care about the environment, how they believe in, you know, everybody getting a fair shot, how they believe in not discriminating against people for sexual orientation and you know, their belief that we have to work with other countries to create a more peaceful world and to alleviate poverty, that's the majority an entire generation that's coming up behind us.
You're trying to grow up, and you don't want to be like your parents, and that gets mixed up with being Korean... They brought their values from Korea, and I accepted them because I didn't know anything more. But as I grow older, I feel more Korean every year; it's very strange.
Grace under pressure isn't just about bullfighters and men at war. It's about getting up every day to face a job or a white boss you don't like but have to face to feed your children so they'll grow up to be a better generation.
I think I did in the sense that there's a whole generation coming up behind us that was engaged, inspired, worked for change during the course of my presidency, saw what was possible. And that generation, it's coming.
I think that people all grow up and have their same personalities, but you can say, "Oh, I can see the roots of this personality, which I didn't like, but then you grew up, and I can still see you as that person, but I do really like you now." Which is sort of how I feel about children - I mean, about children who I knew when I was a child and grew up with, and they're still my friends, and children that I know as children who I see growing up, and every year I like them more.
To be a great band it's like you have that telepathy. You know when the bass player's in back of you without even looking. You know when your guitar player's coming up to you to lean up to you and sing into your microphone. You just know these things. You feel it. You feel the energy of it.
On camera, the audience can see your eyes close up - they can see behind your eyes - and when you're on stage, you need to make sure that the person sitting in the back row can feel what's happening behind your eyes, even if they can't see them. Having a live audience is exhilarating and exciting all on its own, but you know, it is quite different.
As I grow up, and knowing that the people who I'm reaching are so young, it for sure changes my perspective on how I want to be perceived.
I'm not sure what I want to do when I grow up, or if I'm sure I ever want to grow up. I'm sure there are people that wish I would, but you know, my mom will get over it.
For children, childhood is timeless. It is always the present. Everything is in the present tense. Of course, they have memories. Of course, time shifts a little for them and Christmas comes round in the end. But they don't feel it. Today is what they feel, and when they say 'When I grow up,' there is always an edge of disbelief - how could they ever be other than what they are?
I think you grow up on every shoot you do. You do grow up because you're away from home, you're not with all of your friends constantly and in that environment you have to be grown up. You're working with adults and you're sort of expected to be older and that's how I like to put myself across. I don't want to come across as constantly messing about.
As I would soon learn myself, cleaning up what a parent leaves behind stirs up dust, both literal and metaphorical. It dredges up memories. You feel like you're a kid again, poking around in your parents' closet, only this time there's no chance of getting in trouble, so you don't have to be so sure that everything gets put back exactly where it was before you did your poking around. Still, you hope to find something, or maybe you fear finding something, that will completely change your conception of the parent you thought you knew.
I'd like to hope you end up a miserable, lonely woman. But actually, I hope you have children one day, Ellie Haworth. Then you'll know how it feels to be vulnerable. And to have to fight, to be constantly vigilant, just to make sure your children get to grow up with a father.
If you've grown up with guns, the thought that someone might take them away makes your stomach churn. They make you feel safe. If you didn't grow up with guns, if you don't know how to use them, then the thought that someone else has them makes your stomach churn.
When you're an actor, you're so busy: people are always coming up to you and pulling your collar, making sure that things fit, brushing your hair and you're always being yanked up, so finally when you're behind a camera, you're just a slob.
The fact that there aren't an abundance of African-American males that are getting lead roles [and] that are getting roles that have prominence on the big screen. [It's] the same thing from behind the camera; maybe even worse. Coming up, when you're black and you want to direct somebody says, "Oh, you're Spike Lee" or "You're John Singleton."
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