A Quote by Jason Reitman
I really enjoy theater. I just went to see 'Death of a Salesman,' and it knocked me on my ass.
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I saw Lee J. Cobb in 'Death of a Salesman' when I was about 15, and I couldn't get up from my seat in the theater; I was so... I was weeping, and I was upset. And I find that people are still like that in a similar circumstance in a theater today, where they just can't get up. It's too heartbreaking.
A lot of the stuff that's happening now, I can trace back to 'Death of a Salesman.' Francine Maisler, the casting director, saw 'Death of a Salesman' and called me in for 'Unbroken.' The casting director of 'Normal Heart' had seen 'Salesman' too. I look back on it now, and it's like one thing led to another; it was a chain reaction.
Being on "SNL" was a goal that I had when I was younger. When I got fired, I just felt really mad and I felt really grossed out by the system and grossed out by myself and it just sort of knocked me on my ass.
I'm in the theater because of two plays: 'A Streetcar Named Desire' and 'Death of a Salesman.'
'The Master,' it was really important to me to go see that in the theater, but that's a very rare occurrence for me. I typically enjoy things on my laptop. I'm in bed; I can be able to pause them.
I doubt very greatly, however, that you'll kick my ass. But me and my ass will enjoy your efforts.
Enjoy it if you do, but don't tell me how to live or teach it in school, or not allow a woman the right to choose, and so on. Yeah, all of that slips into my work. I even got a death threat the other day for not being pro gun, which just proves my point. They can kiss my ass.
I'm looking at working with people I get on with, that respect me, that don't just see me as a piece of ass. Which I have experienced as well. I've nearly walked off very big films before, and I would, because I don't want that in my life. I want to enjoy the work I do.
It's a pain in the ass, show business. And the only time that I really enjoy it is when I'm in front of an audience and they're reacting to me.
People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.
I think a theater show is a pure version of me doing my material. The theater crowd is a bit more polite, there really aren't hecklers, and there are a lot of people there to see me, and they're excited about the jokes and hanging out with me for a show.
I was a martial artist. So, for me to be able to do all of the fights is a blast. It's so fun. It's like dancing, but more bad-ass. I really enjoy doing it.
I had an acting teacher tell me once that if you're playing a car salesman, you don't want to be an OK car salesman, you want to play the best car salesman.
If you touch me, I said pleasantly, "I'll provide you with the ability to see if you can heal yourself. Then we'd see how bad ass you really are."
I'd knocked on doors when I'd gone to theater school in Los Angeles the summer of my junior year, trying to find an agent and submitting headshots, but nobody would see me, and I knew it was virtually impossible to get an audition if you didn't have an agent.
I'm going to write a book someday and the title will be I'm an Ass, You're an Ass. That's the most liberating, wonderful thing in the world, when you openly admit you're an ass. It's wonderful. When people tell me, You're wrong I say, What can you expect of an ass?
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