A Quote by Jason Silva

Cinema is a technologically mediated dreamspace, a way to access, a portal to the numinous that unfolded in the fourth dimension, so cinema became sort of a waking dream where we can travel in space and time, where we can travel in mind. This became more than virtual reality, this became a real virtuality.
When Apollo 13 appeared as an opportunity and I began to tackle that in as authentic a way as I possibly could, I really became enthralled by the philosophical side of space travel, and why we need to explore - what it means to us here on Earth - all of those things. I became a huge proponent.
When 'Apollo 13' appeared as an opportunity and I began to tackle that in as authentic a way as I possibly could, I really became enthralled by the philosophical side of space travel and why we need to explore - what it means to us here on Earth - all of those things. I became a huge proponent.
Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.
Where do we say that a cell became a blade of grass, which became a starfish, which became a cat, which became a donkey, which became a human being? There's a real lack of evidence from change from actual species to a different type of species.
This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.
Acting became more than a profession to me. It became a sort of religion.
Through travel I first became aware of the outside world; it was through travel that I found my own introspective way into becoming a part of it.
The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .
I didn't think it was my dream to be on Broadway; it just sort of became that, and then it just became me wanting it more and more and more.
I prayed. God became more than faith. He became knowledge, and I appealed to him. Then I became ashamed. Why hadn't I embraced him so thoroughly before?
When I chose Mississippi State, of course I dreamed about being a big-time college football player. But I'm so grateful that actually became a reality - and it became a reality in a small town.
You know, comics were created at the same time as the cinema. And the cinema very quickly became a major art. Cartooning didn't become a major art. There's a reason for that. People don't know how to deal with drawings.
In college, I became interested in folk tales and fairy tales. Gradually I became more and more interested in the underlying meaning of it all and the possibility of the reality of real fairies.
The dot that became a speck that became a blob that became a figure that became a boy
I first came to cinema as a passionate filmgoer, when I was a child. Then, when I was a very young man, I became a film critic precisely because of my knowledge of cinema. I did better than others because of this. Then I moved on to screenwriting. I wrote a film with Sergio Leone, 'Once Upon a Time in the West.' And then I moved to directing.
The real way I became a model is I won a genetic lottery, and I became the recipient of a legacy.
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