A Quote by Jason Statham
I could take my grandma and put her in a cape, and they'll put her on a green screen, and they'll have stunt doubles come in and do all the action. Anybody can do it. They're relying on stunt doubles and green screen and $200 million budgets - it's all CGI created. To me, it's not authentic.
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I'm an athlete; I've got an ego when stunt doubles have to come in. Not an ego like that, but when it comes to physical stuff, if I didn't have to have a stunt double, I would always probably do it myself unless the producers were jumping in and stopping me.
I love the physical roles. I have the utmost respect for stunt people and stunt doubles, but I like to do as much as I possibly can with what's become some pretty significant training.
I don't consider an actor a star if he's paid $20 million and grimaces in front of the camera and has a stunt man stand in for him. They may be fine actors, but they're not role models. The real stars are wearing body armor in 130-degree heat . . . They're getting shot at and they don't have any stunt doubles standing in for them.
I did an action series back in '97, and did very intense training; weapons, knives, hand-to-hand combat. The more an actor trains in that way, the more we can do on screen and the better it looks. Nowadays, they want the actors to do as much as possible and stunt doubles are primarily used for the dangerous things that aren't covered by insurance.
Even though they use stunt doubles, I learn the whole thing, in case maybe they put me in. I'm enjoying it so much. It's so fun, with explosions and shooting. It's cool. I'm 38, but it's like being a child.
Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.
You can put the camera in places where you may not necessarily be able to put it there if I don't do the stunt. If it's character and it's storytelling, then we do it. We design the things around me. I don't do it just to do a stunt. It's storytelling for me and how I can best bring the audience into the action, bring the audience into the story. And that's how we always look at at.
I'm a great believer in stunt doubles. They do an amazing job.
When it comes to acting on green screen, it doesn't really make all that much of a difference to me because how you interact with your environment or characters is always dictated by your imagination. So when you're acting against a green screen, you have more of an opportunity to create your own world. So what was magical throughout this process was watching this movie come to life with the 3D.
I think you should be prepared for a green-screen CGI at all times.
If you give an actor a green screen, the shot may work, but that green screen will not inspire you on the set as a director or as an actor.
On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.
I once said that CGI makes you less inventive. At the time I was bemoaning the loss of the practical stunt. If a stunt can be done practically and safely, I'd rather do it old-style.
Green screen, you know, it's been interesting, it's my first time to ever work with green screen technology, and it's, sometimes it can be really boring because you're like wow, I've got to really imagine all of this stuff around me. But it's low maintenance, which is nice, um, and it's not as hard as I thought it would be, so.
I mean I think people prepared me for like a lot of green screen [in Oz the Great]. I didn't have a lot of green screen. They build most sets. When this castle was tangible, Emerald City was tangible, the forest, the woods was tangible, the cemetery, everything was there.
For 'tis green, green, green, where the ruined towers are gray, And it's green, green, green, all the happy night and day; Green of leaf and green of sod, green of ivy on the wall, And the blessed Irish shamrock with the fairest green of all.
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