A Quote by Jay Maisel

Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
The Taboo scene was a kind of deconstructed version of the New Romantics. The Taboo crowd was using a lot of the visual ideas that had already been used. I remember the first time I spotted Leigh Bowery and Trojan parading around in clubs: They were in their "Pakis from Outer Space" look, and the makeup was quite similar to one of my old looks, because I was quite fond of wearing blue, green, or yellow foundation, and so I was pretty dismissive of them at first.
I am haunted by what my life would have been had I not had the courage in my early twenties to leave Pittsburgh for New York City and really commit to being a writer. Pittsburgh is both post-industrial and provincial, and the opportunities there are limited. It would have been quite easy to simply drift through life.
It was the momentary yielding of a nature that had been disappointed from the dawn of its perceptions, but had not quite given up all its hopeful yearnings yet.
You can't be on the cusp of innovation and at the forefront of technology if you're wearing blinders. If you don't have an exploration program where you're exploring your world here on Earth, underwater, and in space, then you're wearing blinders and handicapping yourself.
She had always told herself that she did hti job because she wanted to help others; afterall, hadn't Maurice told her once that the most important question any individual could ask was, "How might I serve?" If her response to that question had been pure, surely she would have coninued with the calling to be a nurse.... But that role hadn't been quite enough for her. She would have missed the excitement, the thrill when she embarked on the work of collecting clues to support a case.
I had a million plans. I knew what I was going to do. I had the next few years of my life all figured out. But what I didn’t know was that within a few hours all those plans would change. Ms. Know-it-all didn’t quite know it all so much then.
For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had.
Nobody ever told me, 'Art is this.' This was good luck in a way because I would have had to spend half of my life forgetting everything that I had been told, which is what happens with most students in schools of fine arts.
I stayed in the East for about a year after I graduated. Then, I came out to Los Angeles and started knocking on doors and working my way up. This was the '70s. I had been told how tough it was for a woman trying to make it in Hollywood, but I sort of had blinders on. I just did things anyway.
The only way to really change perceptions, to break down barriers, break down homophobia, is through representation. That's definitely not something I had as a kid. I never saw a gay athlete kissing their boyfriend at the Olympics. I think if I had, it would've made it easier for me.
I had been pulling my groins in college a lot and missed my whole freshman year of college because of groin pulls. It was chronic, and I couldn't figure it out. I went to the doctor, and he told me I had hip dysplasia. So I knew my hockey days were sorta limited at that point.
In the spring of 1994 I decided not to seek reelection to the Senate. I had made the decision 12 years earlier, Christmas Day of 1982, just after I had been first elected to a full term, that I would do the best I could for a limited time.
Even if I'd had a really happy relationship with my father and there was no emotional hiatus for a decade and a half, I probably would still have made some of the same choices for movies that I've made.
The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!
I don't think I would have made 'A Beautiful Day in the Neighborhood' had Trump not been president. I felt so desperately like we needed to see a model of masculinity that was kind and loving and emotional, and could be the antidote to this president that we had.
I never really worked with Chris Farley, I hung out with him, but I had plans, I had big plans, movies, and I was in no hurry.
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