A Quote by Jay Roach
The first thing we noticed was how flamboyant [Dalton] Trumbo was in real life.
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When something so unjust as the black list happened, [Dalton Trumbo] would come to life in a certain way.
In his life, [Dalton] Trumbo uses wit and comedy to fight these very high-stakes battles.
Dalton Trumbo was obsessed with justice.
[Dalton] Trumbo himself was a terrible Communist.
I play Edward G. Robinson [in Trumbo], who was a close friend and a co-worker of Dalton's [Trumbo]. They worked together on at least one or two screenplays. A lot of these stories take famous people and show you who they are behind the scenes, which is kind of fun. One of the things about getting to play Edward G. Robinson was learning who the man was away from his movie-star exterior.
Hedda Hopper was a better direct opponent to [Dalton] Trumbo. We wanted to use Trumbo's battles to represent the larger battles, so the audience could understand the personal sacrifice he went through and the personal damage to his family. The choices were about who were the best representations of his antagonists, which is why we chose as we did.
Dalton Trumbo was constantly criticizing the membership [in the Communist Party], and was opposite to being a loyalist.
That's why we had Louis C.K. portray the harder line Communist, to accuse [Dalton] Trumbo of being a hypocrite.
[ Dalton Trumbo] always said he fought so many fights, all seemingly different, but all about the concepts of fairness and justice.
I worked with Dalton Trumbo, who served time for refusing to give up names of people that were accused of being Communists. I've always admired him.
It was a way to try and shut down what the unions were negotiating for, like better hours and pay. [Dalton] Trumbo and his friends joined the Communists mostly for these reasons.
Dalton Trumbo actually was [ a hypocrite], because he liked his wealth, which was against the grain of being a Communist. I put title cards at the head of the film that explains the context.
[Dalton] Trumbo wrote this incredible pamphlet, almost on the level of Tom Paine's 'Common Sense,' called 'The Time of the Toad.' It's an exquisitely written treatise regarding the black list era.
It's never been written about, but before the blacklist of Dalton Trumbo and the Hollywood Ten, there was a de facto blacklist by Communists in the movie industry, and there were a lot of them.
When I produced Spartacus, the writer was Dalton Trumbo, who spent a year in jail because he would not answer McCarthy's questions about other people. He submitted the picture under the false name of Sam Jackson.
When Dalton Trumbo and his friends joined the Communist Party it was 1943, and Russia was our ally in World War II. This was connected to a very popular movement of artists and intellectuals at that time towards anti fascism, and an alliance with the union movement.
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