A Quote by Jay Roach

For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
You know those people in life who are a bit eccentric and larger than life or a bit odd? That their realm of possibility around them is larger than somebody who's called normal? What's normal for an oddball? They could start screaming in public. That's fun to play.
In addition to being an extraordinary actor, Bryan Cranston is a really generous guy and also very funny.
Bryan [Cranston] created something completely unique, that was earned by its authenticity. That's what gave us the license to push it a bit.
I was working with Bryan Cranston in 'All the Way.' We were about to make an entrance together - I was Hoover, he was LBJ - and he says to me, 'You should play the brother in 'Better Call Saul.' I was like 'What?' and it was time to go on. I'm doing the scene, and I can't think of what Hoover's supposed to say.
Bryan Cranston's advice to actors, it's my favorite thing, and it changed my life. He said: Don't go into an audition to get the job, go to share your work. That was so liberating. You read it, interpret it, embody it the way you want to play that person and embody them with your whole heart and soul for those 20 minutes.
Everybody wants to have their 'Breaking Bad.' It went to Bryan Cranston. It couldn't have happened to a better guy or a better actor.
You just want to go off and be intuitive and wild, and that's what Bryan Cranston brings to the game.
Working with Bryan Cranston on Breaking Bad has been totally thrilling because he is so clear in his approach.
Working with Bryan Cranston on 'Breaking Bad' has been totally thrilling because he is so clear in his approach.
Guys who are larger than life and theatrical and deliciously unpredictable - they're far more interesting than the good guys most of the time. They have these psychological layers that an audience can really cling on to, become fascinated with, much more so than these true-blue, one-dimensional, square-jawed good guys.
Risk is the universe's way of pushing us to become more than what we are. Risk is faith at the edge. Risk is the pulsating nature of life.
Rembrandt was way ahead of his time. It's as if he was painting an amateur theatrical, or a professional theatrical, in his studio. It's a kind of performance.
When I started watching Breaking Bad, I binge-watched it. I thought it was so good that I started to cry. It's the only time in my life I've been completely jealous, the only time. I was like, [imitates crying] "I want to do what Bryan Cranston gets to do. I want a part like that." [both laugh] Isn't that pathetic?
I'd love to work with Michael Keaton, Steve Martin, and Bryan Cranston again.
I love 'Breaking Bad.' I'd watch Bryan Cranston read the phone book, for days.
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