A Quote by Jay Roach
This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
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For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
Bryan Cranston has got such an incredible light touch. He comes in egoless, but with bold opinions, and he wants to play. He wants to play. And that's what I've seen in great actors all my life and what I've always tried to nurture and keep in myself is that joy of playing.
Bryan Cranston's advice to actors, it's my favorite thing, and it changed my life. He said: Don't go into an audition to get the job, go to share your work. That was so liberating. You read it, interpret it, embody it the way you want to play that person and embody them with your whole heart and soul for those 20 minutes.
We've got to fight against bigness. If a school gets too large, you lose an intimacy with the students; they begin to feel they're just part of a big complex. I don't think you can create too well in a big plant. That's why I always tried to avoid bigness in the studio.
All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.
Bryan [Cranston] created something completely unique, that was earned by its authenticity. That's what gave us the license to push it a bit.
Even on the stage, I've played a bit of a persona, and the persona I played was a much brasher, more arrogant, less aware, less educated version of me.
When I started, you didn't focus so much on production, certainly not - gosh - down to the finest little detail of how you shifted your eyes or how you turned to somebody. A lot of the shots were far away from a still camera. There weren't as many close-ups and intimacy.
I love the intimacy of venues like the House of Blues. When everyone is packed in and so close to you, it makes you play differently. It's so much more fun to play because there's so much more high energy in a place like that.
Bryan Cranston is generous, he's funny. When we did a wedding scene [in The Infiltrator ], at the end of the movie with a big set piece, he put the veil off the bride, he put it on, he pretended like we were getting married, he's just a goof.
You just want to go off and be intuitive and wild, and that's what Bryan Cranston brings to the game.
Performing onstage is all about reacting in a grand way. You're playing an arena of seventeen or eighteen thousand people and it's your job to make sure the person at the back feels as cool as the person all the way in the front. Being on stage is a bit of a façade. You get to walk out there and be the coolest version of yourself that you could possibly have imagined and then you come off stage and you're just like everyone else.
I was working with Bryan Cranston in 'All the Way.' We were about to make an entrance together - I was Hoover, he was LBJ - and he says to me, 'You should play the brother in 'Better Call Saul.' I was like 'What?' and it was time to go on. I'm doing the scene, and I can't think of what Hoover's supposed to say.
Way, way, way back I played a little bit, but I am definitely not a golfer. You know, it just takes too much time anyway during the course of the day.
When I started as a pro at United, I played alongside Bryan Robson in the A-team and later in the senior side. With Bryan, it didn't matter what level we were playing or which one of his team-mates got kicked. Within five minutes, you could guarantee that the opponent in question would be in a heap on the floor, courtesy of Bryan.
Me and Luke are fraternity brothers. Luke Bryan was already in Nashville when I got to college. He had come back to his old fraternity house, which was my new fraternity house. We met there and just kinda stayed in touch.
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