A Quote by Jay Roach

I think sequels should be earned and we won't do it unless the script is better than the first one. — © Jay Roach
I think sequels should be earned and we won't do it unless the script is better than the first one.
I think true connectivity is something that is rare in sequels. I mean I love the first 'Die Hard' film; you won't find a bigger 'Die Hard' fan than me. But I feel like with the sequels, they're just taking that character and dropping him in different scenarios. There's no real connective tissue.
In my view, success is earned externally by being better than other people. But character, that sort of unfakeable goodness, is earned by being better than you used to be. And it's about self-confrontation.
I'm just trying to think what other sequels there were. There was the James Bond movies and not many. I think sequels have become a recent idea of franchising.
I'm getting more selective, the more I do. As an actor, you want to do a variety of things, but first and foremost, it's the script, the quality of the script and the part. If the script is great and it's a part that I believe and I believe the world, that's rarer than you think.
I don't think I had a script on 'King Kong.' But usually you read a script and then you go and audition for it. It's rare when there's no script. I sort of like the latter better, because I'm more successful at it.
It took me nine years to get my first release. I have worked for it. I have earned it. I couldn't have asked for a better debut than 'Masaan.'
My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
I'm an expert in baseball and I don't even have a job. I'm an expert, more so than a lot of people out there. It should be my career until I'm dead. I should be one of the instructors. I think I've earned it.
There are expectations with sequels, and people want them to be bigger and better than the prequel.
I hate the idea of sequels. I think you should be able to do it in one book.
It's fun to improvise, but I still think it's better to have a great script, you know, like a Charlie Kaufman script.
By Allah, whenever I endure any adversity I gain four blessings of Allah in exchange. The first of them is, when the adversity is not caused by my sin (virtue is earned). The second, when the adversity is not greater than my sin (virtue is earned). The third, when I am not deprived of contentment (virtue is earned). And the fourth, I hope for virtues thereby.
I wake up to an email from the writers with the new script, and I always get so excited because I know it'll be better all-around than the script from the week before.
I think that when you first read material or you first read a script or story and know you might be playing a part, it's important not to see yourself because it should be a challenge enough that it doesn't come easy.
First, you need to write the script, re-work on lots of things. First draft, second draft, once the final script is ready then you visualize which actors fits the role in that the particular script they've written.
Everyone has a right to be interested in himself, and I am confident that God wants us to be interested in ourselves first; that is, the first soul that anyone should bring to God should be his own soul. We cannot do very much for anyone else until we have first done something for ourselves. That is, it is pretty difficult to give someone else an education unless we have some education ourselves. It is pretty hard to get someone else to think unless we ourselves are thinkers.
This site uses cookies to ensure you get the best experience. More info...
Got it!