A Quote by Jean Baudrillard
Large department stores, with their luxuriant abundance of canned goods, foods, and clothing, are like the primary landscape and the geometrical locus of affluence. Streets with overcrowded and glittering store windowsthe displays of delicacies, and all the scenes of alimentary and vestimentary festivity, stimulate a magical salivation. Accumulation is more than the sum of its products: the conspicuousness of surplus, the final and magical negation of scarcitymimic a new-found nature of prodigious fecundity.
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I don't like department stores. I had a chain of department stores back in 1994 which was Lewis's and Owen Owen, only for a short time, and I found department stores personally difficult.
I have a magical work in a magical way. I give magical service for magical pay.
When I was at college, I worked in a department store called Brit Home Stores, which is a pretty lackluster department store, selling clothes for middle-aged women. My job was to walk the floor and find anything that was damaged, take it to the store room and log it.
It has been magical. I can't think of a better word to describe my journey than magical.
There are few places in my life that I've found more ruggedly beautiful than the Highlands of Scotland. The place is magical - it's so far north, so remote, that sometimes it feels like you've left this world and gone to another.
Then followed that beautiful season... Summer.... Filled was the air with a dreamy and magical light; and the landscape Lay as if new created in all the freshness of childhood.
While the focus in the landscape of Old World cities was commonly government structures, churches, or the residences of rulers, the landscape and the skyline of American cities have boasted their hotels, department stores, office buildings, apartments, and skyscrapers. In this grandeur, Americans have expressed their Booster Pride, their hopes for visitors and new settlers, and customers, for thriving commerce and industry.
The city - as the theater of experience, the refuge, the hiding place - has, in turn, been replaced by an abstraction, the fast lane. In the fast lane, the passive observer reduces everything - streets, people, rock lyrics, headlines - to landscape. Every night holds magical promises of renewal. But burnout is inevitable, like some law of physics.
I'm just very much in love with love. I have this fairy-tale idea of what love should be, and I want it to be magical. I want everything in my life to be magical, actually. If you ever come to my house, you'll see what I mean. I've made it like a fairyland. Flowers and hearts everywhere, and there's colors and little gems hanging from the windows. I just like things to be magical if they can be, and in love there's your opportunity. I think that's how it should be, and if it's not like that, then, "Nah. Don't want it".
The old idea that words possess magical powers is false; but its falsity is the distortion of a very important truth. Words do have a magical effect - but not in the way that magicians supposed, and not on the objects they were trying to influence. Words are magical in the way they affect the minds of those who use them.
The thing about New York is it's like London: you want to go to the boutique places. You can go to the big department stores - Barney's, Bloomingdales and all that stuff - but I like the little stores.
Chinese people, young people, they don't go shopping a lot in department stores. All department store guys hate me. They say business is bad because of Jack.
People normally view my work as fantasy, which on some level is true, but I do think that my work is more magical realist than fantasy. I believe in the fantasies within each of our realities, i.e., I portray very relatable human issues in a very realistic tone, yet in a magical setting.
Medicine is magical and magical is art, the boy in the bubble, and the baby with the baboon heart.
At the end of the day, it's about the reader's attachment to and belief in the magical elements that make or break magical realism.
Enormous amounts of money are spent for publicity. As a result, large quantities of alimentary and pharmaceutical products, at the least useless, and often harmful, have become a necessity for civilized men.
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