A Quote by Jean-Luc Godard
There is no point in having sharp images when you've fuzzy ideas.
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I am against: general ideas / the nude / the appropriation of images / the mystification of the untitled / the glorification of artistic doubt / the fuzzy edges of sensitivity / old sins / and useless guilt.
I look at comic books, and I do very eclectic mood boards with ideas and images that have to do with a character or story point. It's a bit like spinning plates. You gradually just steal your ideas.
There is nothing worse than a sharp image of a fuzzy concept.
If it is the case that our activities depend on how we ourselves see them, what we believe about them, then if we have crazy, fuzzy ideas about teaching, we will be likely to do crazy and fuzzy things in its name.
Trying to express implicit and fuzzy relationships in ways that are explicit and sharp doesn't clarify the meaning, it destroys it.
A crowd thinks in images, and the image itself calls up a series of other images, having no logical connection with the first...A crowd scarcely distinguishes between the subjective and the objective. It accepts as real the images invoked in its mind, though they most often have only a very distant relation with the observed facts....Crowds being only capable of thinking in images are only to be impressed by images.
As an educator, I try to get people to be fundamentally curious and to question ideas that they might have or that are shared by others. In that state of mind, they have earned a kind of inoculation against the fuzzy thinking of these weird ideas floating around out there.
As a story writer, you have work with sharp but relatively small tools, the picks of metaphor, the shovel blade of images, the trowel of point of view, and then you delicately lift and brush in the revision with love and care knowing that one slip, and you might damage an extremely delicate thing.
The point here is not just that an image represents God as having body and parts, whereas in reality he has neither. But the point really goes much deeper. The heart of the objection to pictures and images is that they inevitably conceal most, if not all, of the truth about the personal nature and character of the divine Being whom they represent.
In television, images are projected at you. You are the screen. The images wrap around you. You are the vanishing point.
Human beings are accustomed to think of intellect as the power of having and controlling ideas and of ability to learn as synonymous with ability to have ideas. But learning by having ideas is really one of the rare and isolated events in nature.
As an educator, I try to get people to be fundamentally curious and to question ideas that they might have or that are shared by others. In that state of mind, they have earned a kind of inoculation against the fuzzy thinking of these weird ideas floating around out there. So rather than correct the weird ideas, I would rather them to know how to think in the first place. Then they can correct the weird idea themselves.
The moment always comes when, having collected one's ideas, certain images, an intuition of a certain kind of development- whether psychological or material- one must pass on to the actual realization.
There is a large difference between spacing out in the lower occult astral planes, weird, junky, fuzzy energy, and meditation. Meditation is sharp, clear, precise, perfect, luminous, shiny, happy, etheric, cosmic, and dissolute.
I think all my pictures are ideas, and they're ideas made into images.
There is no beginning and there is no end. Nothing is final. There is no absolute. There is no highest point, nor is there a lowest point. These configurations are ideas. Ideas are primitive constructs, symbolic representations, reflections in a mirror.
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