A Quote by Jean-Luc Godard
When I go in front of the light - go towards it - it is because it brings me energy. That's all.
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First you believe, and then you see the Light. Next you go towards the Light. Soon you are IN the Light. Now you ARE the Light.
So now you can let go, my darling...Let go...Let go of this poor old body. You don't need it anymore. Let it fall away from you. Leave it lying there like a pile of worn-out clothes...Go on, my darling, go on into the Light, into the peace, into the living peace of the Clear Light.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
When I meet someone, I look at their eyes and their smile and seek out the good first - it's easy to find when you're looking for it. You let a person shine with their own light and try to connect it to yours. As soon as I say hello, I go right to that light and I don't care who you are! I know we're all pieces of the same thing - I go for that common light because I know it's in all of us.
The knockouts did not change me as a fighter. I was more of a boxer as a heavyweight. The problem was when I came back to light heavyweight, I lost all of the muscle and I lost all of the energy. I was going for the knockout because I didn't want to go the whole 12 rounds because my body was tired. I couldn't understand why my body was tired and it didn't dawn on me until now.
If somebody wants me to speak in, say, Chicago, a limousine picks me up at the door to brings me to the airport. I fly at the front of the plane, and a limousine meets me at the other end to take me to a grand hotel, and usually an envelope is left for me with a per diem, maybe $150-a-day walking around money, and then I go home.
There's nothing more frightening - and exciting - than getting lost in a forest. There is a journey towards the light, and you've got to go through the dark to get to the light. That's what the forest is all about.
With dance, you learn to channel nerves into energy, excited energy. It's sort of similar when you walk into an audition room, to be able to go takes deep breath and then go in real calm. It was in those ways that it really helped me.
Cinema and theater - it's apples and oranges. You can't really beat movies. Yeah, when you're on an Oliver Stone set everybody brings their A game. Everybody brings their A game, from the top to the bottom and in between. In terms of theater you know there is no way to really duplicate that rush you get when you take an audience that is live and right there in front of you through the journey of a great play and you go through these emotions so that they can experience them without having to go through them themselves.
I don't really go on what people say so much; I go on their voice. I go on their energy at the time. I go on how close their arms are folded into their chest.
When I first hit the scene, it was just a lot of go, go, go, go, go. I have a lot of natural energy anyway, but it was over the top.
I can go in front of an orchestra. I can go in front of an audience. But if you see me walking through an audience in the reception or through a lot of people, I'm still shy.
I said, suppose you take a light - I was thinking of just light bulbs because, in those days, lasers were not yet really there - and sent a light pulse between two masses. Then you do the same when there's a gravitational wave. Lo and behold, you see that the time it takes light to go from one mass to the other changes because of the wave.
It is always possible that society you live in might go backwards, towards the land of ignorance and darkness! While this tragedy and stupidity happening, you must move forward! You must walk forward, towards the light and wisdom, to the land of reason!
I don't look like a fighter. I like it, though, because it just allows me to be in the position I am now, to where I can venture out to wherever I want to go. I can go into acting. I can go into this; I can go different ways now. And because of fighting, I can do that.
The energy of the metal is what I've always loved and the energy I do on stage with standup, I mean, I'm not Metallica, but I've always extremely attracted and driven by that energy and the thought-provoking lyrics and drive. That's an attitude every standup show I go in. I go in to crush your face.
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