A Quote by Jean-Luc Godard
You can be with other people, which is ideal, or you can be alone.
Related Quotes
I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and to achieve. But if needs be, it is an ideal for which I am prepared to die.
During my lifetime I have dedicated myself to this struggle of the African people. I have fought against white domination, and I have fought against black domination. I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and to achieve. But if needs be, it is an ideal for which I am prepared to die.
I simply contend that the middle-class ideal which demands that people be affectionate, respectable, honest and content, that they avoid excitements and cultivate serenity is the ideal that appeals to me, it is in short the ideal of affectionate family life, of honorable business methods.
I am more sensitive than other people. Things that other people would not notice awaken a distinct echo in me, and in such moments of lucidity, when I look at myself, I see that I am alone, all alone, all alone.
It is the mysterious touch of the ideal that animates and sustains the real, and through it alone we can discover and affirm the ideal.
People who have never had an ideal may hope to find one; they are in a better state than the people who allow the circumstances of life to break their ideal. To fall beneath one's ideal is to lose one's track in life; then confusion rises in the mind, and that light which one should hold high becomes covered and obscured, so that it cannot shine out to light one's path.
The ideal Government of all reflective men, from Aristotle onward, is one which lets the individual alone - one which barely escapes being no government at all.
It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is that they realise their ideal too absolutely. For, when the ideal is realised, it is robbed of its wonder and its mystery, and becomes simply a new starting-point for an ideal that is other than itself.
That is why all great men are modest: they consistently measure themselves not in comparison to other people but to the idea of perfection ever present in their minds, an ideal infinitely clearer and greater than any common people have, and they also realize how far they are from fulfilling their ideal.
No art can conquer the people alone-the people are conquered by an ideal of life upheld by authority.
A happy marriage perhaps represents the ideal of human relationship -- a setting in which each partner, while acknowledging the need of the other, feels free to be what he or she by nature is: a relationship in which instinct as well as intellect can find expression; in which giving and taking are equal; in which each accepts the other, and I confronts Thou.
Love is fed by the imagination, by which we become wiser than we know, better than we feel, nobler than we are: by which we can see life as a whole, by which and by which alone we can understand others in their real and their ideal relation. Only what is fine, and finely conceived can feed love. But anything will feed hate.
And I loved the whole idea behind the story, which is that you're beautiful, so don't let other people tell you that you're not just because you don't look like the people in magazines. Or because you're not that weird ideal body image that's out there right now.
For most women being other-directed, focused on how other people feel and nurturing them, was (and can still be) a quality that girls were (are) heavily pressured to become. The unselfish or Self-less woman was (is) seen as ideal. The realization and articulation that the cultural ideal of the perfect woman was someone who had no sense of Self and was a key part of the angry energy that drove Feminism to its swift success.
The bonds between ourselves and another person exists only in our minds. Memory as it grows fainter loosens them, and notwithstanding the illusion by which we want to be duped and which, out of love, friendship, politeness, deference, duty, we dupe other people, we exist alone. Man is the creature who cannot escape from himself, who knows other people only in himself, and when he asserts the contrary, he is lying.
Use people whom you're excited by and who share your excitement... The ideal collaboration is one in which the actor and director are saying to each other, 'I can't believe how lucky we are to be making a movie together.'
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