A Quote by Jean-Marc Vallee
I only made one film with a score, and I hate it. I hate the score of that film. It's not coming from me. I had nothing to do with it.
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I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.
To me, score is really important. I would rather not have any score if it's something that's going to detract from the film. So often when I watch films, the score is what really bothers me.
I hate for teams to score or for somebody to score on me.
Does film music really matter to the average moviegoer? A great score, after all, can't save a bad film, and a bad score - so it's said - can't sink a good one.
Doing background score for a film is not an easy task. It requires constant and deep learning and it is the only way to create a score with finesse.
When the script was written, it was sent to me with asterisks marking where he felt a song would be appropriate. Before the film was shot, the score was written. I made a demo of it, so they lived with the music as they were making the film.
I love Philip Glass' work, not only as a film composer but also as a musician. The film score work that he does always amazes and shocks me.
On average, the higher the novelty score a film had, the better it did at the box office. But only up to a point. Push past that novelty threshold, and there's a precipice; the revenue earned by a film fell off a cliff.
When I do a film score, I am basically nothing more than a fancy pencil for hire. I don't own any of the music when I am - it belongs to the film company - and likewise, when I am done, even if I come up with something astounding that I may want to revisit... in the world of film composition, you can't do that.
The score is always the wonderful icing. The score tells you the emotional content of the film. What the characters don't say, the music can say.
The joy of hate reflects people who get off pretending to hate something, or hate you, in order to score political points. I call them the 'tolerati' - you know, a group of people who claim to be tolerant, except when they run into someone who disagrees with them.
I hate when people score on me.
As a point guard, you don't really have to score. The only time you have to score is when you have to score.
Love me or hate me, it's one or the other. Always has been. Hate my game, my swagger. Hate my fadeaway, my hunger. Hate that I'm a veteran. A champion. Hate that. Hate it with all your heart. And hate that I'm loved, for the exact same reasons.
Because a composer's soul goes into a film, they should do the entire film, even the background score. If not, then don't do it.
My favorite film score is the one Thomas Bangalter created for 'Irreversible.' The soundtrack absolutely defines the daymare-into-nightmare feeling you get from the film.
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