A Quote by Jean-Marc Vallee

As a director, try to be humble and not to overdo it, not overcoverage and over-covering the scene. — © Jean-Marc Vallee
As a director, try to be humble and not to overdo it, not overcoverage and over-covering the scene.
Don't overdo it. Don't over-diet, over-exercise, overeat, overdo the makeup, and don't stress out.
I try to be as humble as possible and try to project that to the world. But some people don't see that. They think I'm just in Atlanta spending money. But I try to be humble. I try to let the world know that I am still humble.
All directors on all sets behave slightly differently depending on what the scene is. For example, if you are doing a love scene, which is intimate then the director is likely to be intimate. If you are doing a scene where everyone is mucking around and laughing then the director is likely to start with that. If you are playing a scene which us incredibly heavy and everyone getting killed then there are probably not many laughs on the set.
As a director, I like trying to unlock the subtext of the scene and try to put the camera in a place that helps that.
I love those films where I feel the director's confidence - where he doesn't need to overdo it with the shots and the cuts.
When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is cutting the movie, and we've shot the scene, the director is not looking at the visual effects.
Actors always ask their directors what their motivation is in this scene or that scene, so I've always had this joke where I ask the director what my motivation is too. As a stunt person your motivation is usually to fall over a bench or something.
I think one of the things you have to be aware of as an actor is that if you come on the set and see the director standing there mouthing all the words while a scene is going on, that's usually a very bad sign because it means the director has already shot the scene in his head. He knows exactly the rhythm and the nuances that he wants delivered in the line and you're not going to dissuade him.
I like to try the scene over and over, but given the confines of television, I don't have that option.
The hardest scene for me is always the scene when I'm dealing with performances, when I'm actually looking at the guys and hoping that I'm covering it in the right way and that I'm handling it in the right way.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
You know when people overdo it... and their breasts are way too large or they overdo their face, I mean, that's what gives plastic surgery a bad name.
I'm a pretty hands-off director. I let people try things, and if it gets over-jokey, then I'll try and rein it in a little bit.
If the way I've performed a scene isn't to the director's liking, I discuss it, try to understand why he doesn't like it, and incorporate the suggestions. But sometimes I also take a very strong stand.
Every album I just try to step it up. I don't try to overdo myself, overpower myself.
I always go crazy over every scene and have to discuss it with my director many times. Even Sekhar Kammula, who directed me in 'Fidaa,' knows this.
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