A Quote by Jean-Marc Vallee
When you move handheld, and the director of photography has the courage to shoot with no lights, the set becomes a space of creativity and freedom where actors can move wherever they want to move.
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If you want or need to move, move with a winning record of success, move with a plan, and move to something you love.
Our body is not in space like things; it inhabits or haunts space. It applies itself to space like a hand to an instrument. And when we wish to move about, we do not move the body as we move an object.
If you want to surf, move to Hawaii. If you like to shop, move to New York. If you like acting and Hollywood, move to California. But if you like college football, move to Texas.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
It was very definitely architectural. I was using the words on the page as some kind of equivalent of a physical model. But I never thought at that point that I wanted to move toward architecture. I wanted to move toward real space. Sure, that's probably another way of saying, I want to move toward architecture. But I didn't define real space in terms of architecture, then.
The way through the challenge is to get still and ask yourself, 'What is the next right move? What is the next right move?' and then, from that space, make the next right move and the next right move.
However tired you are, whatever the distance is, move to your target! Even if you move as slow as a snail, you will reach there! Move! Either fast or slow, just move!
Grace does not work like a penny in a slot machine. Grace will move you only when you want it to move you, and only when you let it move you. The supernatural order supposes the freedom of the natural order, but it does not destroy it.
Seasteads cost money, and if you want to succeed as a Seastead you have to find ways to attract people to move there. If I was a billionaire I wouldn't want to move to a seastead, but if I was a member of the bottom billion, most of whom want to leave their dysfunctional governments, I might want to move to a seastead.
You have to move so you don't die. You have to move so your brain doesn't atrophy. You have to move so that you look a little bit like a person that you might want to be. There are a thousand reasons why exercise is important, and I've had to find ways to make it sexy for myself.
As people grow up and they want more freedom, it's on an individual basis, children want to have more freedom, you've got to allow that, so how do you balance it. I would say let it evolve, move as quickly or slowly as people would like to move.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
If I had to, I would ask first of all: why do things move in your work? It's the most simple, and also the most complicated, question. And I answer: things move because if they didn't move, they might move?.
In chess there can never be a favorite move. I can probably pinpoint in a specific game, there might be a move that was like, "Oh, that was a good move." And maybe certain moves turned the whole game around, but there's not one special move that does that, unless it's checkmate because that's when the game is over.
I have also heard that GM Oscar Panno said that -whenever you have to make a rook move and both rooks are available for said move- you should evaluate which rook to move and, once you have made up your mind... MOVE THE OTHER ONE!!!
People who want to wage cultural wars ought to keep in mind that cultural views often don't move at all for a very long time, but when they move they can move very fast.
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