A Quote by Jean-Marc Vallee
Filmmaking is so heavy: there are so many people and trucks and teamsters and costume people and hair people and makeup people. I try to make it light and as simple as possible. It's great for actors. It puts the story up front. It's not about shots and dollies and lighting and sets.
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I knew I wanted to make a movie that looked decadent and expensive. I knew we would have to make every penny stretch and put as much of the budget onscreen as possible. So it starts with your heads of departments - your production designer, costume, hair and makeup designers. Picking the right people who were as committed as I was to telling the story as I was.
I think people just see cinematography as being about photography and innovative shots and beautiful lighting. We all want our movies to look great visually, to be beguiling and enticing, but I think that what really defines a great cinematographer is one who loves story.
Me with diabetes, when I talk about it, it lifts people up. When I talk about how people need to take their insulin shots, it make people go take their shots. My words is like a damn preacher.
I try not to have high expectations of people because it just sets you up for disappointment, but it's great to work with actors who are that talented and accomplished.
[Christmas] holidays are a heavy, heavy time. We make light of them with our red and green and our stockings and candy canes, but people think heavy thoughts over the holidays because that's when you're thinking about family. Are we close? Or are we not as close as other people?
Try to rally up as many people as you can with as much information as you can to try to get it to appear in front of the right people in the organization who are the decision-makers to greenlight the project.
There are lots of poster children for angst. But there aren't many poster children for cool angst. Everybody thinks it's cool if you're the bad girl. But what about the people who are really not feeling that great? Why can't I get up in front of millions of people, as a person who represents my generation, and tell them that I'm angry? Who puts these limits on what my personality should be in public?
I share with many people the feeling that there is a sweetness and constancy to light that falls into a studio from the north sky that sets it beyond any other illumination. It is a light of such penetrating clarity that even a simple object lying by chance in such a light takes on an inner glow, almost a voluptuousness.
When I'm directing, I really try not to be tied to anything. I don't even have the sides in my hands. I have other things - ideas that I want to make sure I don't forget or that I want to accomplish. The endeavor isn't about propping up the screenplay; but about the communal effort of exploration from a lot of different departments - the actors, the DP, the costume designer - all these people and myself.
How come Mom is crazy and I'm not? Well, it's possible my mom could stand up in front of this many people and talk about all the crap in her life and those people could have sat around and laughed with her, it would've meant nothing and she could have moved on cool. It's also possible she could have taken out the whole front row with a large-caliber weapon.
I'm inspired by day to day life, things that people go through, things that make people tick. Everybody has a story, so you try to put stories into songs and try to make it as entertaining as possible.
People value makeup differently. Some people see makeup as an artistic expression, some people use makeup as a boost of confidence. I just think makeup is so beautiful and that it really is art. That's why I do makeup.
I love the culture of animation. What stop-motion has in common with live-action is that it has many of the same departments. There's hair, costume, makeup in the form of paint, gaffers, electricians. So there's the same sense of real stuff, real light. But it's not like everything happens at once, like it does in live-action. It's all subdivided into these small sets. It's where my strengths are. Live-action is just an utterly different world, and I'm not a public enough persona to be big and loud at the front of the ship. I'd rather more quietly interact with the artisan animators.
A lot of people say I'm reckless and I take too many shots. I take shots on the forehead. There's nothing wrong with that. It puts me in punching range.
I'm more comfortable performing in front of 50,000 people than five people - it's easier. When there's that many people, I feel like I'm alone. When I perform in front of only a few people, it's scary.
It's kind of like sentencing. A lot of people say that we have a heavy sentence for this crime and a light sentence for another crime, and what we ought to do is reduce the heavy sentence so it's more in line with the other. Wrong. In most cases we ought to increase the light sentence and make it compatible with the heavy sentence, and be serious about punishment because we are becoming too tolerant as a society, folks, especially of crime, in too many parts of the country.
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