A Quote by Jean-Marc Vallee

Directing on a 90-day schedule, whether for a TV series or a feature film, it's crazy; it's a marathon. — © Jean-Marc Vallee
Directing on a 90-day schedule, whether for a TV series or a feature film, it's crazy; it's a marathon.
I never like to stick to one media; whether it's a TV series or feature film, I enjoy it and I like changing constantly.
TV series, there's a lot of everybody talking to you and giving you input for the first couple episodes, and then they're on such a crazy schedule that you get another episode on a Monday, you have to have it done by Friday and it becomes very solitary work usually, TV shows.
As someone who grew up in Europe, I don't look at TV and automatically think of a primetime network series, created by a staff of writers. I think of 90-minute movies that can break talents out or a three 90-minutes-an-episode mini series that can introduce a fantastic new series like 'The Blechtley Circle.'
One does not have to get frustrated with getting an opportunity, whether it is film, short film, web series or TV shows... As an entertainer, opportunities have expanded.
I am not interested in considering another TV series. This one was a wonderful experience which will be hard to top, and It's caused me to turn down several good film opportunities because of the schedule.
The difference between directing film and directing television is so stark simply because TV is a living breathing organism already when you direct an episode.
The schedule on TV is crazy. You could not work for two days but then work from 4 A.M. to 1 A.M. the next day. I definitely wanted more family time.
Working on 'Westworld' has been an incredible experience in learning to make something with the scope of a feature on a TV timeline with a budget nowhere near what you would expect for a feature film equivalent.
My dream would be producing, maybe directing - definitely not writing - one feature film.
Every actor has to deal with what's on his plate, and I try to deal with doing the best work possible with the most challenging scripts. I don't base it on whether it's a feature film or a TV-movie or cable.
Whether it's a lower or higher budget project, a TV show or a film, the words on the page are the same to me and I approach the work in the same way. My job is to lift the character from the page, whether it's a TV or film script.
TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'
I enjoy making feature films, but I'd rather be in a good TV series than mediocre movies.
They all matter to me, whether I'm working on a Sam Jackson film for a week or I'm the star of my own TV series - I take it all very seriously, and I have a healthy respect for the work in general, despite the role.
I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
TV is and will remain the leading medium - whether it's public broadcasting, commercially funded Free-TV, or whether it is our new growth engine, Pay-TV; whether it is distributed via broadcasting or on demand: The future of TV is - TV!
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