A Quote by Jeanie Buss

I'm a 55-year-old woman; I'm not, like, one of the Kardashians. I'm not that interesting. — © Jeanie Buss
I'm a 55-year-old woman; I'm not, like, one of the Kardashians. I'm not that interesting.
No woman ever lived who could compete with a man on an equal basis - even a 55-year-old man. There's a lot of talk about Women's Lib. They feel they're worth as much as the guys, but they can't play a lick if they can't beat a 55-year-old guy.
When you grow up in New Orleans, like, the only way to be an artist is to be a 55-year-old black musician. That's basically what we wanted to be. If you had asked me very truthfully what I wanted to be when I was 16, the answer would've been, 'I want to be a 55-year-old black musician.'
It’s about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.
The gut-feel of the 55-year old trader is more important than the mathematical elegance of the 25-year old genius.
I want to play a role of a 24-year-old woman, not 17-year-old girls. So I have picked a couple of films like 'Butter' to show that. And it's perfectly fine not to do anything for a year if I don't find the right thing.
I had never experienced anything like the response I got from people for Pirates of the Caribbean, where you meet a 75-year-old woman who had seen Pirates and somehow related to the character, and then five minutes later you meet a six-year-old who says, 'Oh, you're Captain Jack!' What a rush. What a gift. That was the challenge with Wonka, too--to be, in a sense, like Bugs Bunny. I find it magical that a three-year-old can be mesmerized by Bugs, but so can a 40-year-old or an 80-year-old. It's a great challenge to see if you can appeal to that huge an age range.
[Before the Spirit] I had been producing comic books for 15-year-old cretins from Kansas [I wanted to aim for] a 55-year-old who had his wallet stolen on the subway. You can't talk about heartbreak to a kid.
I just wanted people to hear the sounds and fall in love and not overthink it. You get a 12-year-old and you'll get a 55-year-old standing next to each other in the audience. They're from different eras of music but they'll feel the same way.
You know what makes me feel old? When I see girls who are 20-something, or the new crop of actresses, and I think, Aren't we kind of the same age? You lose perspective. Or being offered the part of a woman with a 17-year-old child. It's like, "I'm not old enough to have a 17-year-old!" And then you realize, well, yeah, you are.
There aren't many roles that are interesting if you're a 40-year-old woman, unless you're Julia Roberts or Cate Blanchett.
I like women to be attracted to me. See, when you get 60 years old, and they know you're 60, the only women you can get are 55-year-old women, and I like younger women.
The younger generation watches what's interesting, not whether it's presented by someone who is as old as I am or someone who is as old as a 21-year-old. It's the material. If I did a series of conversations on things most interesting to Millennials, they would respond to it, and I do.
We still have a long way to go. Because the reality is that I'm 52-years-old. And how many 55 to 60-year-old women do you see in sports broadcasting? How many? I see a lot of 60-year-old men broadcasting. The physical appearance and natural aging of all the men doing this job don't matter.
'Looper' is about what your 55-year-old self would tell your 25-year-old self over a cup of coffee. It's about finding love in the third act of your life. It's about overcoming trauma and the idea of true sacrifice.
Catholic media sucks. It's boring. It's for old people. It's not interesting. It's like you're in a class with an 80 year old nun.
Womens currency is their looks. Like it or not, the most powerful woman is an 18-year-old woman.
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