A Quote by Jeff Baena
If you look at zombie movies throughout history, they're always making adjustments. Even the idea of the virus zombies and the back-from-the-dead zombies... there's been tons of tweaks.
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Zombie purists don't even call our zombies zombies, because to be a zombie you have to be undead. That's something zombie purists can fight about for years and years to come.
I think the world's big enough for all kinds of zombies. You can have yours and I can have mine. I think by going with slow zombies I maybe have been asserting my own kind of zombie snobbery, but I don't begrudge the youngsters their tackling, running, jumping zombies.
They're [zombies] us, you can also have the wrestler zombie, the clown zombie, the Jay Leno zombie and the nun zombie. I've never seen the clown werewolf or vampire. But because zombies are us, at the lowest possible level, they're a lot more versatile for storytelling.
To me, the zombies have always just been zombies. They've always been a cigar. When I first made 'Night of the Living Dead,' it got analyzed and overanalyzed way out of proportion. The zombies were written about as if they represented Nixon's Silent Majority or whatever. But I never thought about it that way.
Since zombies are not fully dead, they upset the essential balance of nature: no animals eat zombies, apparently, and zombies do not seem to decay, at least, not to the point of disintegration and reintegration back into the soil, so the food chain, or the circle of life, seems to end or be short-circuited by their existence. Zombies fulfill the worst potentialities of humans to create a hellish kingdom on earth of endless, sterile repetition and boredom.
We've done a zombie episode - only one - and the way we look at it as is we understand that there probably aren't zombies out there for real, but there's a lot of interesting stuff we can test about them. We've tested how bodies of zombies pressing against a gate, would they push it through and things like that.
I'm obsessed with zombies. I like watching zombie movies and I read zombie books.
I also have always liked the monster within idea. I like the zombies being us. Zombies are the blue-collar monsters.
Regency romances end in marriage; zombie stories end in the zombies being vanquished. 'Pride and Prejudice and Zombies' delivers both.
I've always loved the genre of virus movies or Armageddon movies - anything that involves being trapped with the cute boy in detention when the zombies are attacking.
I love zombies, and I love playing zombie-killing video games, so I was always super into the zombies, seeing how it all works and seeing the blood everywhere. I love that kind of stuff.
I think zombies would fit in anywhere. You can tell any story, and put zombies in it. I don't know how I'd find the backing, but I think it'd be great to make a zombie gangster movie.
Something coming back from the dead was almost always bad news. Movies taught me that. For every one Jesus you get a million zombies.
When I started writing, there was nothing about zombies. It was all teen movies, which to me are scarier than zombies, but that's another story.
I do like the zombie movies quite a bit. I know there are purist zombie guys that don't like the running zombies, but I dig the infected thing. I think that's a scarier incorporation of an element into the genre.
There was something about clowns that was worse than zombies. (Or maybe something that was the same. When you see a zombie, you want to laugh at first. When you see a clown, most people get a little nervous. There's the pallor and the cakey mortician-style makeup, the shuffling and the untidy hair. But clowns were probably malicious, and they moved fast on those little bicycles and in those little crammed cars. Zombies weren't much of anything. They didn't carry musical instruments and they didn't care whether or not you laughed at them. You always knew what zombies wanted.)
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