A Quote by Jeff Hardy
Luckily, I'm only aware of about two or three concussions that I have had, but there's really no way of telling how many overall.
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He was well aware that of the two of three thousand times he had made love (how many times had he made love in his life?) only two or three were really essential and unforgettable. The rest were mere echoes, imitations, repetitions, or reminiscences.
I'm concerned about the future of football, because we have paid a lot of attention to concussions. We are more aware of concussions. But it's really the repetitive minor injuries, the ones that are asymptomatic that occur on almost every play of the game, the sub-concussive hits: that's the big problem for football.
My son was a goalkeeper in soccer, and he luckily never had much head trauma. He never had any concussions or anything. I really wanted him to play football, but now I'm thankful he didn't.
You look around the world in 2013, and you say, 'How many prime ministers or presidents are in prison?' One or two. 'How many generals or bankers?' Two or three. 'But how many writers?' 850 or so.
I've been knocked out a few times , but I have no idea how many concussions I've ever had.
For most of my life, when I've finished the book I'm writing, there've always been as many as two or three other novels waiting to be written next. And the decision driving which one of them it should be was never based on how long it had waited or how many accumulated pages of notes I had.
I always knew from the beginning that this was the only way to write Then We Came To The End - that it had to be in first - person plural if it was going to illustrate how the individual becomes part of the collective. I had no interest in writing the book in a more conventional voice. It goes back to that fascination I had with telling a story in multiple ways. It was the only choice I gave myself, really - I said "This is it, pal. If you can't tell a story this way, you're going to have to abandon the book. Write it this way or give up."
Most organizations only focus on WHAT they do and HOW they do it - tactics and strategies - and they aren't even aware that this thing called the WHY exists. Focusing on only two pieces of a three piece puzzle leaves an organization, or a career, inherently out of balance. Being out of balance, only operating on two of the three pieces, shows up in different ways - increased stress, loss of passion, obsession with what your competition is doing, being forced to play the price game, trouble differentiating. These are all signs that the WHY is missing.
I've been wrestling since I was 18 years old. And within the first five months of my wrestling career, I'd already had three concussions. And for years after that, I would get a concussion here and there, and it gets to the point that when you've been wrestling for 16 years, that adds up to a lot of concussions.
Get the overall. Some of my films may have been crude at times, or tough, or missed the points, but I've tried to get the overall in. I think that's more important. You may miss a thing or two, but you move faster. If you can do it in three takes, do it in three takes.
We are operating at an overall mechanical efficiency of only four percent... Therefore, we find that if we increase the overall mechanical efficiency to only twelve percent we can take care of everybody. That three-fold increase in the overall efficiency can only be accomplished by redesign.
One school invited me down, as two pupils had come out, and the headmaster didn't know what to do about it. I said, 'How many students here are gay?' and he said, 'Just these two.' Clearly not. 'How many gay members of staff have you got?' He had no idea. And this was a concerned man.
The movie not only about what story you're telling and who you're looking at. It's mostly about how you're telling it and how you're looking at it. And people who don't like it, who say, "Oh, it's not 'true' because you're looking at it in a stylized way" - it's a movie and it's fiction, so it's also a lot in the artistic direction that it is political.
The more studies that come out that talk about concussions and so forth, it makes me wonder. I wonder, more importantly than the stroke, the impact that concussions have had on my life, particularly as I get older.
Everybody knows that really intimate conversation is only possible between two or three. As soon as there are six or seven, collective language begins to dominate. That is why it is a complete misinterpretation to apply to the Church the words 'Wheresoever two or three are gathered together in my name, there am I in the midst of them.' Christ did not say two hundred, or fifty, or ten. He said two or three.
With all the movies I've made about history, it's not really fun because you're trying to get it right. You've got history telling how it was, and then my imagination is telling me how I wish it had been, but I can't go there, so I have to censor myself. I'm very good about stopping myself from creating history that never occurred, but it's frustrating.
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