A Quote by Jeff Hardy

Just spending time with fans and acting normal and talking to them just like I was one of their boys, that's what it's all about. — © Jeff Hardy
Just spending time with fans and acting normal and talking to them just like I was one of their boys, that's what it's all about.
I never put myself on another level and that's done well for me. Just spending time with fans and acting normal and talking to them just like I was one of their boys, that's what it's all about.
When I say that the acting is sort of like a normal acting experience, I'm just talking about the interacting in actual scenes, like doing dialogue.
To me, beauty is confidence. I think I’m pretty confident in the decisions and the choices I make in my personal life and career, but the same time I also let my fans know that, just like them, I have insecurities. I have moments when I don’t feel good about myself. I think people can forget that, at the end of the day, I’m just a normal girl dealing with lots of the same issues as them.
I'm always going to be able to touch fans and get new fans because everybody goes through something everyday. I just keep touching different subjects by talking to the streets and reaching out to my fans by telling them a story instead of just giving them music to listen.
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
My thing is to get up there and have a good time and give the fans all you can and appreciate them spending their money and being in the stands - and just be appreciative of them cheering when you come onstage.
When you go to a college for acting, at least the college I went to, it's like everybody just singing and dancing and acting, and they all come together, and everyone's talking about head shots... It just turned me off. I was like, 'What is this? I don't understand this. People are singing in the hallways.'
I end up talking about really mundane things with my fans, and then they're kind of like, 'This is boring. I want to go talk to somebody else.' I think I bore my fans to death by over-talking to them.
For children, diversity needs to be real and not merely relegated to learning the names of the usual suspects during Black History Month or enjoying south-of-the-border cuisine on Cinco de Mayo. It means talking to and spending time with kids not like them so that they may discover those kids are in fact just like them.
Hybart is a little community I grew up in, so it was just a wonderful time in those years. I was the youngest of about nine boys in the neighborhood and we played ball all the time, and I looked up to them and they let me play around with them, and we just had a good time.
When I was in grade five or six, I just remember quite a lot of people were always talking about me like I was some kind of math genius. And there were just so many moments when I realized, like, okay, why can't I just be like some normal person and go have a 75% average like everyone else.
Every teenage artist out there is mostly talking about boys, and I think there's so much more to being a teenager than just boys.
I'm not a showbiz person. I just enjoy talking nonsense on the radio. I'm not bothered about going to clubs or the paparazzi, I genuinely prefer my neighbours. Spending time with my family and watching Coronation Street are what I love best. People are just people, aren't they?
Sometimes when my fans come up to me, they think it's going to be entertaining, like I'm going to tell jokes or do bits, and then instead of that I end up talking about really mundane things with my fans, and then they're kind of like, "This is boring. I want to go talk to somebody else." I think I bore my fans to death by over-talking to them.
If you examine the history of any playwright of the past twenty - five or thirty years - I'm not talking about the comedy boys, I'm talking about the more serious writers - it seems inevitable that almost every one has been encouraged until the critics feel that they have built them up beyond the point where they can control them; then it's time to knock them down again.
I think that the work that's left to be done - and I see the end in sight at this point - is to just let go and stop talking about it. It's definitely 'stop talking about the whole size thing.' I don't go to my girlfriend's house and say, 'Hey, I'm your big friend, let's talk about big things.' It's not a topic of conversation within my friend group - I'm ready for society, Hollywood, the press, magazines, everyone, to just catch up and say, 'These women are just like the women we've been using for so long. Let's just throw them into the mix and stop talking about it.'
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