A Quote by Jeff Kinney
In middle school, I started to draw, and my pencil sketches were huge. They were these 4ft by 3ft drawings, and I got a lot of attention for that, so that was very validating. But I didn't start cartooning until I was in college.
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I was raised in a dominantly Filipino family. I didn't know I was 'mixed' until I got older and started asking questions about my grandparents, the origins of our middle and last names. We were kind of textbook Pinoys. A lot of the Filipino stereotypes that were joked about by me and my friends rang very true with my family.
By the grace of God, my parents were fantastic. We were a very normal family, and we have had a very middle-class Indian upbringing. We were never made to realise who we were or that my father and mother were huge stars - it was a very normal house, and I'd like my daughter to have the same thing.
While we were in the middle of 'Avatar' we got a lot of volatile reaction from fans. They were very upset with the direction we were taking Zuko.
I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.
I used to think [Shoji] Hamada never drew, until there was a book by Bernard [Leach] published about his work [Hamada: Potter, Tokyo; New York: Harper & Row, 1975] and at the rear of the book were a number of wonderful little sketches, but they were not drawings like Bernard made.
When Brad and I got married in 2008, it got a lot of attention. And all the attention was over the fact that we were two men, but people were hardly conscious of the fact that we were entering into an interracial marriage. That's wonderful, because it was only 50 years ago with Loving v. Virginia that interracial marriages were made legal.
I had absolutely no focus as a kid. I never paid attention at school, I never went to college. Not because we were too poor; we were. But if I wanted to go to college, I would have found a way.
merica was middle-class for the very start - the people who came first were hyper-strivers from England. There were no vested interests, no ranks, no classes, it was very lightly populated, there were unlimited natural resources - for free essentially - if you failed, you could always start over.
When I was in college at Carnegie Mellon, I wanted to be a chemist. So I became one. I worked in a laboratory and went to graduate school at the University of Pittsburgh. Then I taught science at a private girls' school. I had three children and waited until all three were in school before I started writing.
Don't start writing your novel until you know your characters very, very well. What they'd do if they saw somebody shoplifting. What they were like at school. What shoes they wear. Spend days - weeks, months - being them until they thicken up and start to breathe.
I enjoy my relationship with straight men. It's very nurturing. It's very validating to hang out with straight guys and be accepted. So many of us, we were not accepted when we were younger by straight persons in high school.
You know, I was a nerdy kid going through high school, and then I got to college and that all vanished. I mean, a lot of my good friends - when we were in high school, we would never have been able to hang out together because we were in such different cliques or whatever. Now, who cares?
All the drawings and sketches and clothes of Yves Saint Laurent in the '70s were so colorful, so bright.
I've been interested in cartooning all my life. I read the comics as a kid, and I did cartoons for high school publications - the newspaper and yearbook and soon. In college, I got interested in political cartooning and did political cartoons.
[Bernard Leach] was an incredible draftsman, and at the end of breakfast time, for instance, he would push his plate back, and he'd pull an old scrap of paper out of his pocket and a little stub of a pencil, and he'd begin to make small drawings, about an inch and a half, two inches tall, of pots that he wanted to make. And they were beautiful drawings. I really wish I'd stolen some of those scraps of paper, because those drawings were exquisite explorations of his ideas of form and volume in a ceramic piece.
I've found that when I was young, all the pretty girls at school got all the dates and went to all the big parties and everything because they were pretty. They never bothered to develop anything. And as they aged, their prettiness faded and they were left as middle-aged women who were very, very unhappy and disappointed. But I can't feel sorry for them because that was their own doing.
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