A Quote by Jeff Nichols
If you want someone to show up and execute your script for you, seriously, there are a lot of great people out there. Don't call me.
Related Quotes
It's not about the script: it's about who the director is and who the other people in the cast are. Because you can look at a great script and execute it in a very sophomoric way, and you can look at an OK script, and you can execute it in a very sophisticated way and come out with something really good.
It could be a great script but the director is not the right person for me to work for at this time. So there are a lot of elements that come into play and a lot of variables, but more than anything it's got to be a great script and a great character.
We are dealing with the best-educated generation in history. But they've got a brain dressed up with nowhere to go. Science is all metaphor. In the information age, you don't teach philosophy as they did after feudalism. You perform it. If Aristotle were alive today he'd have a talk show. If you don't like what you are doing, you can always pick up your needle and move to another groove. If you take the game of life seriously, if you take your nervous system seriously, if you take your sense organs seriously, if you take the energy process seriously, you must turn on, tune in, and drop out.
I become friends with people in each city who can show me around. Like if someone came to Los Angeles they wouldn't really know where to go, so they'd have to call me up and then I'd show them around.
There's a lot of people who don't want anything from me but to laugh and have a good time. You see them at the show and they like - they dress up to come see your show and stuff. And they pack these auditoriums and it's a lot of fun, man. It's like, this is how I started, and it's still fun for me.
You don't get taken seriously by asking someone to take you seriously. You've got to show up and own it.
Call it loyalty, call it what you want, but I suppose I've got people up here who I'm really tight with, we've made a lot of great bonds over the last few years and I've got people in my corner I can trust.
I think the most important thing is to, without belligerence, stand up for what want. Argue compellingly if someone tries to change your script. Yeah, legally they can if they want to. But rather than give up, as some of the writers do, and just wail about how your script got rewritten, it's much more difficult - but well within the realm of possibility - to argue very sincerely, calmly, and reasonably from your point of view, such that the director or the producer might decide, "All right, let's do it that way."
I love TV, don't get me wrong. But with film, you're just banging out this one product and you're not waiting on another script. You have your script. It's great, in that way.
My plan was to go to New York and do some theatre, and then I got the script for 'Psych.' I was like, 'Ahh - just as I thought I was out, you pulled me back in!' I had a great meeting with the show creator and we laid out the parameters to make the show work: what I would do, what he would let me do.
You don't get taken seriously by asking someone to take you seriously. You’ve got to show up and own it. If this is a man’s world, who cares? I’m still really glad to be a girl in it.
After you publish a book, you become a writer and you're supposed to take it very seriously. You're supposed to show up at your desk - although frankly, I don't have a desk, I write in bed - you're supposed to show up at your bed and produce work. I think it's a little bit like work. I like to have fun with it, do things like make silly book trailers. I don't want to take this too seriously.
It's not that I lead this oblivious life where I think I've got such a great personality that people want to spend time with me. If someone has a poster of you or asks for your autograph, clearly you can't take them out on a date. It's not that interesting if someone is just interested in you.
Friends are hard to come by in L.A., especially in the entertainment industry. I've known a lot of people who hang out with someone because they're working on a show, and as soon as that show gets canceled, they find someone new.
I've got a lot of respect for a handful of coaches, and there's a lot of great stuff put out there on film. So, I always want to stay up to speed on those current trends and figure out if you can steal something that fits your players and your system. I'm certainly not afraid to steal from some of these great coaches.
A lot of times people start out with a lot of good ideas, but then they don't execute. They lose the purity of their vision. You end up running around in circles.
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