A Quote by Jeff Nichols

A lot of independent filmmakers are really catty. — © Jeff Nichols
A lot of independent filmmakers are really catty.
Nobody really truly supporting independent filmmakers anymore. It's just dire. There's a lot of bad filmmaking, and there's a lot of people worshipping some terrible filmmakers. It's a waste of all of our time, if you don't feel anything. We are an age of YouTube kids. We don't care so much anymore. It's all about marketing.
I grew up in a house of all girls, which was interesting. I think it made me a lot less catty because a lot of girls, especially who are around my age, are very catty and very mean to each other.
I think independent filmmakers, documentary filmmakers - they are journalists.
I love indie movies. I think that independent cinema is where it's at and where a lot of trends begin. It's where new filmmakers are breaking through.
I love independent films because I love to help, I love to assist, I love to pass along knowledge or experience to young filmmakers because usually, that's what they are. They're young filmmakers who are trying to either just simply tell their stories or trying to break into show business, and this is their calling card. But either way, I just really respect young filmmakers who are trying to tell a story that means something to them.
As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
As an independent filmmaker, the biggest challenge is finding the money. Whenever you have interest in a film project you need to find investors who are real. I think most independent filmmakers would echo that sentiment.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
I like to be an inspiration and an example of the idea that you can be independent, and it's no problem, and you can pay your rent, and it's empowering, and it's great. And that's true, but it also takes a really long time, and you have to have a lot of patience and a lot of conviction in why you want to remain independent.
The movie studios, they only like to make - I make a joke, but it's true - if the movie has the word "man" and a number in the title, they'll make it. If it doesn't have that, it's an R-rated raunchy comedy, and that's it. Any other movie that you're going to make is going to be an independent one. So for filmmakers who want to do something other than "man" and a number, it's either independent films or television, which is like the place for real creative filmmakers to go.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
I'm influenced by a lot of filmmakers; I like English filmmakers because I feel a kin to them.
There's competitiveness in everything. In any job, I'm sure. I think there's also this stereotype that women together are catty and competitive, which is just - nobody ever talks about men being catty or competitive. I don't think that's fair.
I have chosen to cast my lot with independent media outlets because I believe that only through independent reporting where you are not beholding to the interests of corporations or government are you able to really aggressively pursue the truth.
There's a tremendous intellectual fervor among independent filmmakers, and that has to be cultivated.
Independent filmmakers already have their heads around people on their couches watching their movies.
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