A Quote by Jeff Nichols
There's a rhythm and a cadence in a scene, and when an actor understands without any real direction from you, then that's a very valuable gift. And some people get it, and some people don't.
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It's the hardest thing for an actor not to speak because you take away their main tool. So for an actor, it's very frustrating and very challenging, and very few people can pull it off. Some actors can say a thousand words with just a look, and it's a unique gift.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
I've been very lucky as an actor. I have worked all the time. Some shows I do, they get cancelled. Some, they're critically acclaimed, and then they get cancelled. And some, I'm in the last season of this or that. But I can't complain about my career.
I don't think we need to extend unemployment any further without paying for it, and without making some modifications such as turning it into a loan at some point. It then encourages people to go back to work.
For an actor, it's very important to get a clear idea of what a director wants, and their intention for what they want to get out of a scene and how they want to shoot it. Having that knowledge is really valuable, for an actor. It means you can deliver more.
I try to tweet, but I still haven't gotten into the rhythm as much as some people who have, like, 20,000 tweets. There are some great comedians on there, so you get some pretty funny hot takes and bits.
All will surely realize God. All will be liberated. It may be that some get their meal in the morning, some at noon, and some in the evening; but none will go without food. All, without any exception, will certainly know their real Self.
I'm a real people person and I'm very sensitive, and I've just noticed how other actors that I've worked with, as an actor, take direction from people.
Some people try to get very philosophical and cerebral about what they're trying to say with jazz. You don't need any prologues, you just play. If you have something to say of any worth then people will listen to you.
My strongest quality as an actor is taking direction. I will give my performance as a template and if the director gives any instruction, I take that information, process it and morph it into the next take. I love the feeling I get when nailing a scene through direction.
Part of being an actor is the rhythm of the life of being an actor, and that involves coming together with a group of people, making something together that is intense and requires a lot of intimacy, and then walking away from it with the possibility that you will never see any of those people again.
The standard that measures two things is something different from either. You are, in fact, comparing them both with some Real Morality, admitting that there is such a thing as a real Right, independent of what people think, and that some people's ideas get nearer to that real Right than others.
Investors are trying to work out some risk premiere that have some correspondence with actual risks. But they don't, they're not, they can't go very far that way, because the actual correspondence isn't really there in a lot of cases. So once people stop believing in these stories, and then the crash can come very, very quickly. They believe that house prices are correctly priced for some time and then suddenly they realized there's no real basis for that. But what is the correct price? We don't know that either. It's just that everything swings.
I have done much reporting in what might be termed the religious field. I have interviewed dozens of people-maybe hundreds-asking questions about their beliefs. Some impressed me more than others, but it is impossible to avoid the conclusion that the gift of faith (and I think it is a gift) is the most valuable one of all. People who have it are stronger-and kinder-and more unselfish-and happier. It's as simple (and as mysterious) as that.
That scene that I have with Brad Pitt in Meet Joe Black is one of my favorite scenes that I've ever done. He's very modest. He's a real hardworking actor. I think he was going through something difficult at that time, and he never brought his personal stuff - not once! - on the set. He was a real pro. I remember doing that scene, and as I was acting, I thought, "I understand why this guy's a movie star." Because there was just something that he did when the cameras rolled. There was some kind of energy that was really magnificent, a real aura about him.
I get offered a lot of parts where I want to say, 'Why don't you just hire a model? Don't hire an actor.' I'm trying to convince people I'm a real actor, not some mannequin.
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