A Quote by Jeff Nichols

'Mud' was a depository for a little more nostalgia and just a different kind of feeling, a different kind of mood. Something that's not so dark. Something that does actually have a happy ending and is a little more hopeful.
As I get older, I'm more willing to take on more, I guess. I feel more comfortable kind of being different characters and kind of stretching it a little more. Like with The Visitation. At least for me, being an actor, I have to draw from human experiences, so it was kind of a stretch playing that role. Kind of supernatural... kind of like what I did in The Crow actually.
I'm different, that's all. Everyone is different in their own ways - but I'm maybe a little bit more different in a little bit more different kind of way.
I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.
There are different 'It' factors for different players. There are all kinds of different personalities of quarterbacks around the league, but there are a lot of good ones and they don't necessarily think and act alike. But I do think there are moments during games even on the collegiate level where you can see that this guys is something different, someone sees things differently, they see things a little bit quicker, they're a little bit more cognizant of what's going on. I think it's something like that.
Dance is something I really enjoy; it gives me a different kind of happiness, something more spiritual. Plus it's good exercise; I'm happy doing it, and it all shows!
I try to challenge myself, each week, to do something that is a little different or something maybe a little more exciting or personalized.
I felt like for it to really turn into something, you have to jump in with both feet. And it always turns out a little different than you imagined it, but that's kind of the beauty of it, when you feel musically confident enough to just kind of follow where it goes.
Religion does a lot of good, especially the loving kind, like at Grace Church. I know people who went to a more liberal kind of Christianity and were happy with that. The problem is, for me, there was a process involved in moving from Pentecostalism to a more liberal theology, like Grace Church. What makes me different is that process didn't stop, and it took me all the way. In the end, I couldn't help feeling that all religion, even the most loving kind, is just a speed bump in the progress of the human race.
I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
I've always kind of tried to do something that was a little different than just simple 'I love you, baby'-type songs.
It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.
We're living in what used to be Mexico, and there's this very fluid border feeling. You go a little bit south of Tijuana, for instance, into Ensenada, and it still seems kind of borderlike. And you go much farther, suddenly the prices are lower, the prostitution is different, the commerce is different, everything feels more "Mexican."
Flamenco is Arabic music and rhythms filtered through centuries of gypsies making music. The gypsies themselves came originally from India. And then there is the Caribbean influences... This whole idea that there is any such thing in music that "purity" is bunk, it just doesn't exist. I love that I am playing these rhythms to people. And the next time they hear something that's maybe a little more exotic, I have created a little bridge, and they are going, "Oh, this actually sounds really cool. It reminds me a little bit of that, but it's something different."
I think it's about the feeling more than a language. And I think that we and every culture in the world has to keep their own language just to bring something else, something different, and show a different vision of the world, actually. And that's why I'm trying to keep my language.
Have you ever noticed when you look in a mirror, unless you're really depressed or something, the person in the mirror generally looks a little more competent, a little more curious, a little more intelligent than you actually feel yourself to be? They often look more interesting and more soulful.
My family wasn't involved in the college. They were more of just your 'white trash' kind of family. And so I have that kind of background, but I always kind of aspired to be something else, and I made a lot of different friends over the years that were passing through.
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