A Quote by Jeff Nichols
I like scripts. I spend a lot of time writing them.
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Away from football, it is just family. I try to spend time with my kids - I have to spend a lot of time away, so every time I am at home, I like to spend time with them.
I spend a lot of time hanging out with kids in their early twenties who feel like they've messed up and have really screwed up in a lot of ways. We spend a lot of time talking to them and saying, 'You can change that.'
I read a lot of scripts, and there's a lot of good writing and a lot of OK writing and a lot of crappy writing. And even with the really good writing, it doesn't necessarily speak to me.
To be a good director, you have to spend a lot of time on actual sets, but today, there's a lot of people who spend a lot of time in dark rooms writing a script, and they'll go in and tell the story to some suit at a studio who says, 'Okay, this is great, let's go.' But that doesn't necessarily mean you know what to do once you're on set.
I spend a lot of time on college campuses, a lot of time mentoring young women in all sectors of business, because I don't want them to spend as much time to get their voice as I did.
I haven't had a chance to pick up a good book in a long time, because I've been either reading scripts or learning them or writing them. And so, by the time the day is done, I usually just want to click on The Bachelor and fall asleep. But I gravitate toward biographies and things like that.
I would imagine that the more time you spend talking to another person, the more you're going to lie to them. So if you spend a lot of time with your relations, you're probably lying a lot to them.
When I write my scripts, there's a point at which if I'm not starting to see them visually, I feel like I'm kind of cheating. So my scripts are laden with a lot of visual description, which makes them not so much fun to read - I kind of weigh them down.
'Criminal Intent' scripts are very good. Like others involved in 'Law & Order' stuff, I've come to appreciate the lack of 'soap,' if you will. The story dominates. You don't spend a lot of time with the psychological underpinnings of the police.
I started writing movie scripts. They excited me a lot, but I didn't like them when they were finished because they were simple copies of the films I saw in childhood.
A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
I like to spend time with my family. The majority of my time is spent in London, but I do like to escape and spend time with them in my hometown of Brighton on the south coast.
This is mainly because I spend a lot of time writing and so don't have much time to read; I hate to waste that time reading what may turn out to be junk food for the mind, when there's so much real writing to be read.
I read a lot. I spend of lot time thinking. It actually looks like I'm doing nothing, but... hanging out with clever and interesting people is a must if you're writing comedy, like hanging out with a good bass player when you're a drummer.
I always find time to read novels and poetry as well as scripts; I like to enjoy different kinds of storytelling. I spend time at the beach and with my loved ones. I like traveling to unfamiliar places to challenge my perspectives and glean wisdom from other ways of life.
I started writing because I wanted to write scripts, but I wasn't very good at it. Then I started writing short stories, sort of as treatments for the film scripts, and I found I enjoyed writing short stories far more than I enjoyed writing film scripts. Then the short stories got longer and longer and suddenly, I had novels.
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