A Quote by Jeff Nichols
I loved, in 'Starman', the use of anamorphic lenses, the creation of blue light, and Carpenter's use of the widescreen format.
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I didn't think that and I didn't verbalize that to myself or within meetings that we ever had, but we wanted to make a hard-nosed, gritty, realistic spy thriller. Roger talked about using lenses. He shot hi-def, but using anamorphic lenses that he'd found from this warehouse. He was so thrilled with that. Him and Romain [Lacourbas] were just like kids in a toy store with their lenses.
I use two concealer shades. I have vanilla and light beige, and I use vanilla on my under eyes - if I have a spray tan, I'll use the light beige instead, it just depends on how light or dark I am. Then I use one shade darker on my face.
We started combining the use of light and the use of theatrics and the use of as many art forms as possible, and it's still growing - that's the whole idea of it.
Creativity or talent, like electricity, is something I don’t understand but something I’m able to harness and use. While electricity remains a mystery, I know I can plug into it and light up a cathedral or a synagogue or an operating room and use it to help save a life. Or I can use it to electrocute someone. Like electricity, creativity makes no judgment. I can use it productively or destructively. The important thing is to use it. You can’t use up creativity. The more you use it, the more you have.
Your home should be your home. People shouldn't be allowed to use whatever crazy lenses they use to catch you waking up in the morning.
I want to be behind the scenes, and learn more. What cameras to use, what lenses to use, what shots I want to get. And it takes time, so being on movies and sets, I just learn.
In thinking of light, if we can think about what it can do, and what it is, by thinking about itself, not about what we wanted it to do for other things, because again we've used light as people might be used, in the sense that we use it to light paintings. We use it to light so that we can read. We don't really pay much attention to the light itself. And so turning that and letting light and sound speak for itself is that you figure out these different relationships and rules.
It's hard to do a camera inside of a car. Non-Stop would have been impossible. Usually modern lenses you can focus up to the lens pretty much, but anamorphic you can't. You need like three feet.
Contrastingly to the new model of distribution, we shot Hand of God using the traditional format of film. I myself use very few apps and tend not to engage in social media. I do use Instagram under my production company's name, but that's it.
The use of natural history is to give us aid in supernatural history: the use of the outer creation, to give us language for the beings and changes of the inward creation.
I write little quotes all the time to help encourage people to come together, like this one: 'If fate happens to toss you a lightbulb, use it to light the path of others, for they will use theirs to light the path of you. With your light together with mine, it's two times as bright and twice as strong.'
I write little quotes all the time to help encourage people to come together, like this one: "If fate happens to toss you a lightbulb, use it to light the path of others, for they will use theirs to light the path of you. With your light together with mine, it's two times as bright and twice as strong.
The quilt format is highly appropriate for repetition and serialization. Formal issues of balance and color, space and light in landscape are endlessly engaging. I try to use the medium to its maximum, pushing well beyond tradition.
Alternative medicine people call themselves "holistic" and say it's the "whole" approach. Well, if it's the whole approach, let it be the mind as well. Use logic, use sense, use the incredible five wits you were given by creation.
When people tell me they're trying to meditate, I always know they don't have a format yet that works. I encourage a real meditative format that you use daily, because meditation is incremental and it only works if done every day.
Films are born from screenplays and they are guided by words. They are born very limited and there is no space for real creation: graphic creation, pictorial creation, or audiovisual creation. If we really want to use the art of animation with all its strength, we have to rethink the processes by which it's made because the medium is the message.
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