A Quote by Jeffrey Eugenides
What I do when I create a character is put in details from all the people I know who might be like that person, and then put in a huge amount of myself.
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Our commitment to Afghanistan is a long-term one. We put a huge amount of resources into trying to make sure there is peace in that country, a huge amount of development assistance, a huge amount of political support for the government.
That's the way I will write characters, put a fair amount of myself in them, and then everyone else who was like that person, I will pick and choose.
If you're playing the a historical character that's in the public consciousness, then obviously you've got to make an effort to look like that person and there's a huge amount of historical record there that you have to kind of comply to.
If you're playing a historical character that's in the public consciousness, then obviously you've got to make an effort to look like that person and there's a huge amount of historical record there that you have to kind of comply to.
I usually have a location and then I put the character there. I love place names. I think I'm tricking myself by being so specific - it suddenly becomes real to me. Just because I say it's Chicago, Illinois doesn't mean it's true, but place names sort of make me grounded and then I can put some people there.
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
I might sound like a crazy person, but that's the way I pump myself up. You know how some people are just like 'I have to talk about it'? Sometimes I'll call my husband and we'll talk about it, sometimes I have to talk to myself in the mirror. So I start talking to myself: 'You got this. Don't think of this as Sports Illustrated, just think about this as the best swimsuit campaign you've done in your life. And just kill it and own it and don't put that pressure on yourself.'
I've always told the truth. I think that's been part of the foundation of my career. I don't put myself above people. I don't put myself different than people. And I, for one, know that none of us is immune.
I'm creatively driven to create a body of work. I was made to put on this Earth to wrestle and perform. Create a legacy, create this Villain persona to put down in the history books for people to watch for many years to come.
I feel like, in the Czars, for example, I was afraid. I couldn't express myself. I didn't have a connection to myself. That's one of the huge reasons why it was such a difficult existence. I put a lot of that on myself. I couldn't access myself. I couldn't look at myself, because I was too ashamed.
There are so few movies that still cast on chemistry. Now it's often, like, this person's movies make this amount of money, and this person's movie makes that amount of money, so let's put them together.
When we can demonstrate that we can take off horizontally and put something into orbit, then we can begin to talk about increasing the amount of payload. But to say, 'I'm going to do that and put people into orbit' is a real leap.
The idea of Kanye and vanity are like, synonymous. But I've put myself in a lot of places where a vain person wouldn't put themselves in. Like what's vanity about wearing a kilt?
I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.
If you put little person wrestler on a poster, people are going to say oh is that kids? Is that weird, odd people? You put midget wrestling they know what it is.
Never open your story with a character thinking, I advise my students. As a further precaution, don’t put a character in a room alone – create a friend, a bystander, a genie, for God’s sake, any sentient creature with whom your main character can converse, perhaps argue or, better yet, engage in some action. If a person is out and doing, it’s more likely that something interesting might happen to her or him. Shut up in a room with only his thoughts for company well, that way lies fictional disaster.
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