A Quote by Jenji Kohan

Even during the casting process, the pools of talent are so deep when you have a call for Latin women or black women or a middle-aged woman because they never get their shot. There's so much talent there.
I'm all about talent. I love talent and I want to work with as much great talent as possible. My job as editor in chief is making the most of everybody's talent and pulling that together into a format that's even better than an individual.
I think there's so much talent in Latin America - you know, directors from Mexico and Chile and Colombia - we have so much talent and there are not enough platforms to show our talents, so I'd love to use this and start creating my own endeavors and get all these really talented people together.
Hiding a talent is not exclusive to any one particular group of people: young, old, black, white, Latin. It doesn't matter. It's universal. The idea that you have a gift or talent is always kind of threatening.
I walk into a room, there's one or two black women. There aren't that many because the pipeline of talent just isn't there.
Interpreting the dance: young women in white dancing in a ring can only be virgins; old women in black dancing in a ring can only be witches; but middle-aged women in colors, square dancing...?
I believe this, we are all gifted for the talent - God blesses everybody with a talent. Mine was to play football. Some are to be scientists. Some are to be doctors. Sometimes because of the situation you grow up in, you can never display your talent because you can't get out of that situation.
It's something I've constantly found shocking - all this astounding talent amongst black women that never gets to be seen or heard.
The real issue is not talent as an independent element, but talent in relationship to will, desire, and persistence. Talent without these things vanishes and even modest talent with those characteristics grows.
Women are against women, and men are against women. Like, women have to rise above so much to get ahead. I feel guilty that sometimes I hate being a woman. I hate it because there's so much weight on your shoulders at all times. Maybe I'm just really sensitive.
Never be frightened by those you assume have more talent than you do, because in the end energy will prevail. My formula is: energy plus talent and you are a king; energy and no talent and you are still a prince; talent and no energy and you are a pauper.
I have 90 percent or 95 percent support in the African American community and it's not sort of "Well, he's black, so it's okay. We're not going to say anything even though we're seething." And I hang out with a lot of middle-aged black women, and they're not casual in their support of me. There's a lot of love forthcoming. Partly because they understand the constraints of this society. They know that this is hard.
Thank you," the young mother said again. "Thank you." "The Black Tower protects," Logain heard himself say. "Always." "I will send him to you to be tested when he is of age," the woman promised, holding her son. "I would have him join you, if he has the talent." The talent. Not the curse. The talent.
Today [the voice of women] is being heard loud and clear. But I do not read the welcome triumph of feminism, social, economic, and creative, as a brief for postmodernism. The advance, while opening new avenues of expression and liberating deep pools of talent, has not exploded human nature into little pieces. Instead, it has set the stage for a fuller exploration of the universal traits that unite humanity.
Talent! There's no such thing as talent. What they call talent is nothing but the capacity for doing continuous hard work in the right way.
When the women's movement began, it was a middle-class phenomenon. Certainly, black women had other stuff to think about in the '60s besides a women's movement. Working-class women were slow to get into it.
Women are considered deep - why? Because one can never discover any bottom to them. Women are not even shallow.
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