A Quote by Jenji Kohan

It was enormously challenging because you want that all-American girl, but you also want the cool WASP, privileged white girl. Usually, women in that package aren't funny.
Sometimes guys just want the girl and want to drop the kids off anywhere they can. Guys it?s a package. You like a woman, she?s got kids, it?s a package. You can?t just go in one-sided. It?s pretty cool.
Women always want to be what they're not: If you're the pretty girl, you want to be the quirky girl. If you're the smart girl, you want to be the pretty girl.
Deep down inside, I'm really a black girl stuck in a Mexican girl's body. But I'm also in touch with my inner white girl and my inner Asian girl. I feel like a little bit of everybody.
I want to hear from the creature who isn't blessed with unbelievable good looks and incredible genes. I want to hear from the geek girl, the forgotten girl, the invisible girl and the miserable girl.
I understand why some women/girls/ladies don't want to be women-identified 'cuz it totally complicates your band identity and no one seems to pay much attention to the music or what you're doing. We have chosen to be girl-identified (although Billy isn't a girl!), because we want to encourage other women/girls to play music. When I was growing up, I found it discouraging to have all these women in bands not wanting to address the issue of gender...we're interested in what women are doing.
Hello...Although you (reporters) are busy thank you for coming to this place. Today, the reason that I called you...I wanted to talk about some girl. Currently, I love a certain girl. I really love this girl too much. She is a person who finds happiness and joy in small things, when i'm with her, I'm always happy. She is also a person who told me how happiness felt like. Because of this, Because of this, because i love this girl too much, because i want to protect this girl...I am getting a divorce.
I've always been down to try out new things, but I was more of a jeans girl at age 17. I didn't want to show my legs. Now, I'm a dress-shirt girl, a shorts girl, a jeans girl, an overalls girl - I'll wear anything!
I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?'
I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?
If you were a successful upper-middle-class Negro girl in the 1950s and '60s, you were, in practice and imagination, a white Protestant upper middle-class girl. Young, good-looking white women were the most desirable creatures in the world. It was hard not to want to imitate them; it was highly toxic, too, as we would learn.
I don't want to be the funny girl or the serious girl. I would hope to touch on all different genres and all different types of characters, which I think I've been lucky enough to do, so far.
I've never been a thin girl. I grew up being - I don't want to say a plus-size girl, but a girl of curves and substance.
I went to a predominantly white school, and I was the only black girl. I can remember thinking, 'I don't want to be as dark as I am - I want to be a little fairer.' I didn't want to be me.
What makes a girl a girl? What makes a guy a guy? Do you have to be what they want you to be? Or do you stop and listen to that voice inside you? I know who I am. I'm Petra West. And I'm a girl. You want me to sleep somewhere else, fine. Whatever. But I'm not going to pretend to be somebody I'm not. I've done enough of that.
The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl.
I'm not the girl for superhigh fashion because I don't have the right body. When I want to get dressed up, I'm a Roberto Cavalli girl.
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