A Quote by Jenji Kohan

A TV touchstone for me is 'The Days and Nights of Molly Dodd.' That series was whimsical and smart and had the mix of comedy and drama that I now trade in - but with a dash of magical realism. I wanted to be Molly Dodd, but more than that, I wanted to be Jay Tarses, who created the show.
Her voice is thin and her moan is high, And her cackling laugh or her barking cold Bring terror to the young and old. O Molly, Molly, Molly Means Lean is the ghost of Molly Means.
You might have mentioned this to me Molly,” said Leonard. “The fact that there are hostile natives on the island.” “I forgot,” said Molly. “You forgot?” said Leonard. “There’s been a lot happening,” said Molly.
I think I was, like, 23 or something [on The Breakfast Club]. I was the oldest of the five. Emilio [Estevez] and Ally [Sheedy] were a year younger. The only real difference was that Molly [ Ringwald] and Michael [Hall] still had to go to school. They could shoot, like, a half day. So a lot of my close coverage was done with Molly's stand-in, so Molly could do her schoolwork.
I wish I could love people as you do, Molly!' 'Don't you?' said the other, in surprise. 'No. A good number of people love me, I believe, or at least they think they do; but I never seem to care much for any one. I do believe I love you, little Molly, whom I have only known for ten days, better than any one.
Comedy Central wanted to do a show with me, I had a couple failures under my belt with them already, but they still wanted to try something else. They came to me and said they wanted to do something that was internet focused and created original content on their site, so they could compete with the funny or dies and what not. So that was the premise, and they gave us a small amount of money, $5000, and from there it turned into the show.
Niggas can say they pop molly, but do you really? I doubt it. I can't imagine Kanye popping a molly.
It turns out that Molly wasn't her mother's daughter in that respect. Charity was like the MacGuyver of the kitchen. She could whip up a five-course meal for twelve from an egg, two spaghetti noodles, some household chemicals, and a stick of chewing gum. Molly ... Molly once burned my egg. My boiled egg. I don't know how.
Good grief, Molly. He doesn't scare you?" "Of course not." "But he's..." "He's sweet," Molly insisted. Dare snorted. "He's still listening.
The more she rejected us the more convinced I was that she was another version of the real Molly, her disdain for authority, her scepticism that she had to do what the white man told her because it was good for her... She is Molly.
Molly works because, while Watson is ‘the audience’, Molly is every woman of a certain age sitting at home on the settee fantasizing about running their hands through Benedict Cumberbatch's hair. ...Also, I think most people have experienced the agony and the ignominy of unrequited love. I’ve never thought Molly was an idiot. She just really, really loves him.
There's a lot of talk coming from Citigroup about how Dodd-Frank isn't perfect. Let me say this to anyone who is listening at Citi: I agree with you. Dodd-Frank isn't perfect. It should have broken you into pieces.
I had never intended to be on the show more than three years, regardless of how successful it was. I had other things I wanted to do. And I was offered a role in 'Red Sky at Morning', [1970]. I got that part because [producer] Hal Wallis had seen the HERE'S LUCY show with Ann-Margaret. It was a thrill for me, getting to do the drama and comedy. It was such a good role. So I missed several episodes of the show to shoot the movie. And I never came back but one.
When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
I've wanted to be an actor since I was eight years old and I did TV commercials when I was a kid. When I was eleven Saturday Night Live came on and I thought, "Oh God, I'd love to do that." I saw the Pink Panther movies and thought, "God, I'd love to have a comedy series; I'd love to have a character I'd created that becomes a series." I've now pretty-much done everything I've wanted to do since I was eight years old and it's a wonderful feeling, I've got to say.
The telephone call that forever changed the lives of the Dodd family of Chicago came at noon on Thursday, June 8, 1933, as William E. Dodd sat at his desk at the University of Chicago.
My criteria for doing a television series never changed. I wanted more stability, I wanted more of a sense of family, I wanted to do light comedy.
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