A Quote by Jennifer Yuh Nelson

One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
When people use the term magic realism, usually they only mean 'magic' and they don't hear 'realism', whereas the way in which magic realism actually works is for the magic to be rooted in the real. It's both things. It's not just a fairytale moment. It's the surrealism that arises out of the real.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
To make a film like 'The Grandmaster,' I know I'm not going to make just a standard kung-fu film; it's not going to be just tricks or like wire works. So I spent seven years on the road interviewing different schools and a lot of real grandmasters from Chinese martial arts.
For real human beings, the only realism is an embodied realism.
There is no realism in American films. No realism, but something much better, great truth.
When I'm writing a comic book, I'm thinking about a character that I'm going to be drawing on the page. I've never drawn a character to look like who I want to cast in a movie because I don't think that way. I'm a real monomaniac. I do one thing at a time.
Often people think they know what they want, but what they really want is something that's genuine. So they'll be saying, "Do another one like that," but you liked that one because it's real. So as long as I keep it real and I do something that's real to me, you're going to feel it in the same way.
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
I'm half Asian, so people immediately go, "Oh, you do kung fu," like that's what we do. We wake up, we do kung fu, we brush our teeth. It's just assumed that you're not working your ass off to make this believable and make this something great, and we absolutely are.
We did two films [Kung Fu Panda], because the first two films were so embraced by the Chinese audiences we wanted to make something we could push further and since this is a co-production, it seemed like the perfect time to create something that felt native to Chinese audiences.
I have to control my mouth - and that's hard enough - and then I have to manipulate the puppet and make it look real - like, make its interactions look real. And then I have to sing at the same time, and I have to have my facial expressions reacting to the puppet... So it's a lot going on, and I have to focus on every single thing at the same time.
My parents never put a lot of pressure on us to be any kind of way.... I have my funny moments where I look at myself and think, Oh, this is a disaster. But you have to give yourself a reality check and go, All right, if I feel this way, I'm going to do something about it that's healthy. I can't look at somebody who is 6 feet tall and 120 pounds and say, I'm going to get that body. That's just never going to happen. You have to work with what you've got.
I use people's real voices because I want realism. So often I mention the actors' physicality because I want it to be like a real documentary.
Let's say that you want to do everything out of the joy that comes from knowing the Lord. Well, a lot of people aren't built like that emotionally. If they think that some sort of feeling is the basis for their action, they are going to feel justified sitting around, although they are going to feel bad that they have never taken one step of obedience because their heart is cold.
I think my career will end too early for me to go to Mars, though I might be involved in preparing the next generation to go. I'd love to explore Mars, but, ultimately, it's kind of a crappy planet. The thing is, Mars One people would never go outside without a spacesuit ever again. You're going to live in a tin can. Space stations are noisy; it's like living inside a computer with the fan on all the time. You're never going to smell grass or trees. It's just never going to be anything like Earth. You're never going to swim. You're giving up so much.
All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.
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