A Quote by Jennifer Yuh Nelson

We want to be proud of our work and make sure it's worth the talent of the animators, who spent four years of their love, sweat and tears on it. — © Jennifer Yuh Nelson
We want to be proud of our work and make sure it's worth the talent of the animators, who spent four years of their love, sweat and tears on it.
We must know the difference between sweat and tears. Sweat is wet. Tears are wet. Sweat is salty. Tears are salty. But progress comes through sweat. Progress never came through tears.
I did stand-up comedy for 18 years. Ten of those years were spent learning, four years were spent refining, and four years were spent in wild success. I was seeking comic originality, and fame fell on me as a byproduct. The course was more plodding than heroic.
In the next four years, President Bush will continue to keep America safe, our enemies on the run, and our economic progress moving forward. Texas is the home of our President, and we will make sure that is true for another four years.
Since the waiting time required during the rendering process has been dramatically shorter in the last 10 years, I think that CGI animation has finally become practical. It is a fact that I processed the Steamboy work based on the assumption that the machine spec would be higher. In that context, young 3D animators have also gotten more skillful in recent years. But what I didn't expect is that the skills of traditional 2D animators have become worse, and notable young animators have not come out to the scene. This is a big issue for the industry.
Realize that the people who are working with you, this is their life. You know, 80% of their time is spent at work. Make sure that they're proud of what they're doing, that they're enjoying what they're doing.
It took a lot of blood, sweat and tears to get to where we are today, but we have just begun. Today we begin in earnest the work of making sure that the world we leave our children is just a little bit better than the one we inhabit today.
Teachers, social workers, public lawyers who bring companies to justice, government accountants who try to make sure money is spent as it should be - all need at least four years of college.
I just want to make sure that I give the animators everything they need, so they have plenty of choices to match their animation.
I think this is really a defining moment for the Arab world. The problem is, it is all going to be about blood, sweat and tears. In certain countries it may be just sweat, and in some countries sweat and tears, and in some countries, as you can see, a lot of blood. I think initial instability is something that we are all extremely nervous of.
I'm all about talent. I love talent and I want to work with as much great talent as possible. My job as editor in chief is making the most of everybody's talent and pulling that together into a format that's even better than an individual.
I spent seven years of my life in the immediate aftermath of September 11th doing this work, working with the Patriot Act, working with our law enforcement, working with the surveillance community to make sure that we keep America safe.
We want to make sure children aren't left without any books. We want to make sure our children have the books, that they have a place in the castle. We want to make sure that their mothers have affordable day care. We want to make sure we give the older people the care that they need.
Both tears and sweat are salty, but they render a different result. Tears will get you sympathy; sweat will get you change.
People are proud to be from Baltimore. In any industry you work in, you need support to survive. And this city has that support for anyone who was born here or lived here. And it also gives you the feeling, 'Oh, I stand for this place. And if I do something I'm not proud of, I might not make my town proud.' And I want to make Baltimore proud.
Fashion isn't interesting when it comes from an uninspired place. It's like voodoo; we don't want things that are soaked in blood, sweat, and tears. I adore life, and I'm very easygoing - and it shows in my work.
I spent my life's work doing what I did in Dream Theater for 25 years, so I'm proud of that.
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