A Quote by Jennifer Yuh Nelson
I want a space for people to feel safe and be creative. Actors want it, too. They want to feel like they're listened to, and they're safe to experiment.
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I think there's a very fundamental urge to create a safe space, a home; most animals have that impulse, and humans certainly do - with some exceptions, like nomadic people who perhaps don't feel the need to settle in quite that way. But most of us do want to have space, somewhere we feel secure and where we repeatedly return. Somewhere we can sleep without fear. And there's nothing wrong with that desire. It's completely understandable. It only becomes ugly when that creation of a safe space involves making an enclosure from which other people are kept out.
I think it's really important, especially with the work space, to create a place that makes people feel creative, where they feel safe, and they feel like they're instantly connected.
I'm trying to manufacture a sleepover feel; like a tree house or a clubhouse. I want people to be silly and play and feel safe and some people, you have to coax them into that space and some people bring me further into that space, even past the point that I wanted to go.
I want to raise my children in a safe country. I want to help the children in the world who do not feel safe. I know what it feels like to feel unsafe. We need to do way better. Our country needs to do better.
I see so many people living in a bubble. They want to be safe, they want their kids to be safe, and they want their friends to be safe. And I get that. That's awesome and really admirable. But life is not about who gets out the cleanest at the end, or who's the most well-preserved and healthiest.
Personally, I don't like to talk too much to the actors about the camera choices because I feel like the way I want them to perform is as if it feels very rooted in the real world and that I'm essentially stepping back and just watching and hoping they feel safe with me watching.
I just want young people to read my books and feel cared for, feel safe, feel like there's someone else in the world who understands - or at least acknowledges - your existence.
I have too much potential for collapse. There's an anonymity that makes people feel safe to participate in hatefulness. I like a good old-fashioned fistfight if people are pissed off at each other. I just feel like if you're really mad and want to have a fight, then put your dukes up.
There are different parts of us. You want to feel safe but you want to also feel challenged.
I don't want expensive gifts; I don't want to be bought. I have everything I want. I just want someone to be there for me, to make me feel safe and secure.
Audiences like to be made to feel that there is a world where things go right: where big emotions can happen and yet feel safe. This is why there is a constant tension in Hollywood between studios who want happy endings and writers who want to explore the human condition. There is a time and a place for both!
When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.
I don't want to play safe, because there are a lot of people who are playing it safe, and I don't want to be one of them.
Today I want to belong. I want to feel safe and at home. I want to be aware of what it is like simply to be, without defenses or desires. I will appreciate the flow of life for what it is-my own true self. I will notice those moments of intimacy with myself, when I feel that “I am” is enough to sustain me forever. I will lie on the grass at one with nature, expanding until my being fades into the infinite.
Not 100 percent of the time, but I feel like I'm good at being direct. I know what I want, and I feel like I can tell people, 'I want this; I don't want this. I want you; I don't want you. I hope for this, and this is right, and this is wrong for me.'
I want the viewer to be overwhelmed. I want the space to feel like it is caving in on the viewer and that they are forcibly entering the world of my paintings. I want there to be a feeling of overpowering decadence to the work, that is almost too much to take. I don't want them to be subtle.
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