A Quote by Jennifer Yuh Nelson

Qing Cheng Mountain was a direct influence on the mysterious final shot of 'Kung Fu Panda 2.' — © Jennifer Yuh Nelson
Qing Cheng Mountain was a direct influence on the mysterious final shot of 'Kung Fu Panda 2.'
To make a kung fu film is like a dream come true, because I'm a big fan of kung fu movies and I'm learning kung fu for a long time.
Hurdling is like Kung-fu. Everyone comes from a different school. And everybody says 'my Kung-fu is better than your Kung-fu.' You have to find the technique that best fits your body size.
I liked the first 'Kung Fu Panda.'
I'm not cynical. I cry at 'ET.' And 'Kung Fu Panda!'
The hidden village was something we found when we went to research in China we climbed a mountain in the Sichuan province where the panda sanctuary is based, and we climbed to this beautiful, mist-covered, almost primordial place and when we turned these corners these moss covered old buildings would come into view, revealing themselves and it was so beautiful and so unlike anything we'd seen that we literally took those moments and put them into the film [Kung Fu Panda 3].
You're asked, 'Do you know kung-fu?' Yeah. That's what we do. We wake up, we brush our teeth, we do kung-fu!
When we were first creating the look of 'Kung Fu Panda,' we wanted to pay tribute to the beautiful tradition and culture of China.
He was never a kung fu guy. Now, he's Mr. Kung Fu. Oh, man. Even Chow Yun-Fat gets typed!
Kung fu: You've got to spend your whole life at it before you're kung fu.
Po's [Kung Fu Panda] unending enthusiasm is something we wish we could have. We can't help but root for him because of his geek energy.
One of the things we love about Po [Kung Fu Panda] is that he's vulnerable. He's someone that we can all identify with because he has those insecurities. He's an outsider feeling guy.
My producer for the first 'Kung Fu Panda' movie, Melissa Cobb, is an amazing woman. She's supersmart and helps push everyone - male, female, anyone - to do their best.
My role in kung fu - in the art of kung fu, not the series - is not as a practitioner. My role is that of an evangelist, which is an entirely different thing.
We have those new environments [during Kung Fu Panda 3] that give a scale to the movie, that are the spirit realm and the panda village. The spirit realm, having no gravity, having this massive space, allowed us to do huge action shots. All that we just couldn't do before. We just couldn't get the scale, we'd have to cheat them. This time we found ourselves more free.
When I was a kid, I loved watching kung fu movies - in San Francisco, we had 'Kung Fu Theater' on TV on Saturdays, and they'd air old Shaw Brothers movies with English dubbing, things like that.
I'm half Asian, so people immediately go, "Oh, you do kung fu," like that's what we do. We wake up, we do kung fu, we brush our teeth. It's just assumed that you're not working your ass off to make this believable and make this something great, and we absolutely are.
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