A Quote by Jennifer Yuh Nelson

I couldn't imagine screaming 'Action!' on an outdoor set over a wind machine or whatever. — © Jennifer Yuh Nelson
I couldn't imagine screaming 'Action!' on an outdoor set over a wind machine or whatever.
The coolest thing, and I have it at home, is a huge Hulk Hogan, normal-sized pinball machine. When people come over they play it for hours. When you hit the bumpers and the bells ring it goes, 'Oh yeah!' The whole time you're playing this machine it's yelling and screaming at you, 'What you gonna do, brother?!' I think that's the coolest.
The same wind blows on us all. The economic wind, the social wind, the political wind. The same wind blows on everybody. The difference in where you arrive in one year, three years, five years, the difference in arrival is not the blowing of the wind but the set of the sail.
We are born to action; and whatever is capable of suggesting and guiding action has power over us from the first.
We are born to action and whatever is capable of suggesting and guiding action has power over us from the first.
No machine can wind a better sounding or tighter wind than a well trained person.
In December 2010, we embarked on a slightly strange tour of India. We played every kind of gig you could imagine over two weeks, from sports bars to hotel bars to a beautiful outdoor amphitheatre.
It was one of those winter days that suddenly dream of spring, when the sky is blue and soft and clear, and the wind has dropped its voice and whispers instead of screaming, and the sun is out and the trees look surprised, and over everything there is the faintest, palest tint of green.
'Run' is exciting, about family secrets, the mystery surrounding them and the outdoor sport of parkour. The story itself is full of intrigue and action, but the parkour takes the story to another level. It was an absolutely incredible experience, working with experts from all over the country.
I have seen something like it happen in battle. A man was coming at me, I at him, to kill. Then came a sudden great gust of wind that wrapped out cloaks over our swords and almost over our eyes, so that we could do nothing to one another but must fight the wind itself. And that ridiculous contention, so foreign to the business we were on, set us both laughing, face to face - friends for a moment - and then at once enemies again and forever.
Everything was screaming: the sea, the wind, my heart.
His screaming stallions maned with whistling wind.
When you have a concussion, one of the symptoms that is common is anxiety. Imagine having the normal amount of anxieties that everybody shares - about life and meeting people in social spaces, whatever. Imagine that being multiplied by 10, 20. And so your worry over people's perceptions of you multiplies.
With all the knowledge and skill acquired in thousands of flights in the last ten years, I would hardly think today of making my first flight on a strange machine in a twenty-seven mile wind, even if I knew that the machine had already been flown and was safe.
There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course.
Human thinking can skip over a great deal, leap over small misunderstandings, can contain ifs and buts in untroubled corners of the mind. But the machine has no corners. Despite all the attempts to see the computer as a brain, the machine has no foreground or background.
I'll wager I would have screwed things up regardless. But. . .can you imagine those poor bastards grappling their prey, leaping over the rails, swords in hand, screaming, 'Your cats! Give us all your gods-damned cats!
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