A Quote by Jeppe Hein
I was looking for acceptance, love, and that's why I became present in everything I did.
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Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects. Everything became exchangeable because everything became a commodity.
If you knew everyone's story, you would love them. You can't really hate anyone if you know everything that happened to them between their birth and now; why they became the way they became; why they have walls up or down. If you truly know someone, you'd get it.
We're all looking for acceptance and love, beginning with our parents. And then when you find [that] out, you start working with yourself, you start to find out that the acceptance and love that you find somewhere else mirrors [you] in all kinds of different situations. That type of love you can only find in one place: in yourself. And many times we're all looking for it somewhere else.
People who aren't addicts want to know why I became one. They ask whether I had a midlife crisis. I'm only speaking for myself now, but I've stopped asking why and how. It's all about surrender and acceptance. It doesn't matter why I am an addict.
Acceptance does not mean inaction; acceptance is actually acknowledging the present situation.
But there was no hiding from Conscience. Not in new homes and new cars. In travel. In meditation or frantic activity. In children, in good works. On tiptoes or bended knee. In a big career. Or a small cabin. It would find you. The past always did. Which was why... it was vital to be aware of actions in the present. Because the present became the past, and the past grew. And got up, and followed you. And found you... Who wouldn't be afraid of this?
If you choose to see everything as a miracle, then where you are right now is perfect. There is nowhere to run to; there is nothing else to do except be in this moment and allow what is to be. From that place of radical acceptance, major change can happen. The first step in any transformational experience is acceptance and surrender to the present moment, the way that it is. From that place we have the awareness, humility and power to change what is.
There's a desire for me in the work, even when I'm looking at the past, to be looking from the present. It's to be here now. It's looking in the present tense.
Why did he have to be so gorgeous? Why did he have to stand so close, and why did I still love him so much?
Love, I would later conclude, was all things to all people. Love was the breaking and healing of hearts. Love was misunderstood, love was faith, love was the promise of now that became hope for the future. Love was a rhythm, a resonance, a reverberation. Love was awkward and foolish, it was aggressive and simple and possessed of so many indefinable qualities it could never be conveyed in language. Love was being. The same gravity that relentlessly pulled at me was defied as I rose into something that became everything.
Whenever you try to work through the things that we're trying to work through, that we're addressing, it ends up looking negative. Our goal is nonjudgment, nonfiltered acceptance of everything. So much of our background collectively, especially in the United States, is denying and suppressing and disowning a lot of negativity and the darker areas. You can become swallowed up in it. It's cancerous. The goal should be to define acceptance for everything. To try and consider every aspect. To try to look into the shadows, as well as the light.
He was already looking at their relationship through the lens of the past tense. It puzzled her, the ability of romantic love to mutate, how quickly a loved one could become a stranger. Where did the love go? Perhaps real love was familial, somehow, linked to blood, since love for children did not die as romantic love did.
That's why I make mixtapes. That's why I work with Don Cannon; that's why i work with Big Sean. Even though I don't rap, I got love and acceptance in that community, and that's something that I really take seriously and hold close to my heart.
After my performance 'The Artist is Present (2010)' at MoMA in New York, many scientists became interested in why so many people who sat across from me began to cry. I was incredibly moved by this experience also, and was very curious to know what happens in our brains when we spend time not talking, just looking at one another.
That's the funny thing about time. It is only in looking back that it's easy to connect the dots. To see exactly why everything needed to happen the way that it did.
I was never looking back in regret. I never thought, Oh, why didn't I become an actress? or Why did I just go paddling along after John? I've always walked along right by his side, and he's always supported everything I do.
