A Quote by Jeppe Hein

Are you outside or inside the work­? You don't really know. — © Jeppe Hein
Are you outside or inside the work­? You don't really know.

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Jeppe Hein
Born: 1974
Really, the fundamental, ultimate mystery -- the only thing you need to know to understand the deepest metaphysical secrets -- is this: that for every outside there is an inside and for every inside there is an outside, and although they are different, they go together.
I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
You know your inside, and you know the others' outside: that creates jealousy. They know your outside, and they know their inside: that creates jealousy. Nobody else knows your inside. There you know you are nothing, worthless. And the others on the outside look so smiling. Their smiles may be phony, but how can you know that they are phony? Maybe their hearts are also smiling. You know your smile is phony, because your heart is not smiling at all, it may be crying and weeping.
I know that I want to concentrate more on my inside-pretty than my outside-pretty, because thats gonna go away. But if your inside is beautiful, it never wears away. The light always shows on the outside if you are striving to be good inside.
It's not at all good when your cancer is 'palpable' from the outside. Especially when, as at this stage, they didn't even know where the primary source was. Carcinoma works cunningly from the inside out. Detection and treatment often work more slowly and gropingly, from the outside in.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
The landscape is a reflection of the inner life. Since I can't shoot the inner life, all I can shoot is the exterior but I know that when I'm filming outside, I'm filming inside. I can only really touch the inside through the mise-en-scene. So through the mise-en-scene of the outside we can explore the inside
Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.
The inside of the Pentagon is an incredible place and a dramatic set. We do [travel] outside, but the inside workings of the civilian oversight of the military inside the Pentagon is really about as exciting as anything you ever want to deal with. It is really amazing.
I see myself used in terms of reading mismatches. If it's small, go inside. If it's big, come outside. And if it's in between, then work him, make him think you're going outside, go back inside. Just play chess.
There are footballers who are very good playing on the outside but don't know what to do inside. Then there are players who are very good inside but don't have the physique, the legs, to go outside.
The writer works on the inside and the critic works on the outside. I don't know what it looks like on the outside, sometimes. It's not that I'm not interested-it's not where I live. I live inside the story.
I'm such a believer in 'if you're beautiful on the inside it really shows on the outside.' I know a lot of people who are physically very beautiful, but their inside doesn't represent that. So to me, it just doesn't come across as having a sparkle to them or an energy that just radiates.
What comes from outside, one mistakes it as coming from inside. So many thoughts etc. move about outside in the universal - these manifest inside you. All these you must push away as foreign to you and the inside must be made peaceful, calm and quiet; then it will start descending from above.
I was then at the height of my two-facedness: that is, outside I seemed one way, inside I was another; outside false, inside true.
Be at least as interested in what goes on inside you as what happens outside. If you get the inside right, the outside will fall into place.
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