A Quote by Jeremy Podeswa

Something that 'Game of Thrones' always does successfully is that action sequences are never just action sequences. There's always a point of view, and you're always identifying with one person or one group of people.
Coming from an action background, I always approach the action sequences in any script as kind of placeholders.
Going as far back as 'Dexter's Lab,' we've always had these sequences with no dialogue. The interesting thing is those sequences got the biggest reactions.
I still don't understand why the tag of 'action hero' follows me. My films have all these elements - romance, action and comedy. None of the fight sequences of my character is an act of randomness. There's a reason to action in my films.
I prefer to work the old-fashioned way. I trie to do everything or most of his action sequences practically, because I feel that while added effects or the VFX process allows for flashier sequences, I feel that it lacks the energy we see in practical effects.
The thing about action films is that they are high on drama in terms of action sequences, have songs and other things, but content is secondary.
There are a lot of big action movies that we've worked on where the attitude has been, 'Let's just get through this scene.' Then you get those jumpy, what-were-they-thinking action sequences.
If you look at Indian cinema, it has always been about the 'hero.' So it is not just a characteristic of the Kannada film industry in particular. But one of the reasons to explain the 'hero-centrism' in our industry could be the fact that the audience here really enjoys the action sequences and the 'punch' dialogues.
I approach an action sequence almost like a mathematical problem. Sometimes you get these action sequences that you read and go, 'Oh my God, this is huge, how do I do it?' and I go, 'Just a step at a time. Sit down and plot each piece of it out.'
It's always irritated me that people say, 'Where's the action? Oh wow, there's no action here; let's go somewhere else.' These people will never find the action.
Most fight sequences on a television show, probably any action adventure show that you know of, if you asked them how long they probably spend, [it's] one or two days doing the fight. Where we were spending eight days concurrently with an episode doing our fight sequences.
I've always loved the collaborative side of filmmaking, and there's a lot of things I can do in the acting side of things in terms of the creating of action sequences, and coming up with ways of doing things with a stunt coordinator.
I love both [Johnny English and James Bond] actually. The action sequences are really exciting because you're getting to work with some brilliant crew and do some great stuff but you always get some magic when you're working with actors.
I do think that as I said before the canvas of action sequences and the way in which the sequences unfurl will be very unique and will be different than any movie we've made before, and that's what makes it interesting, what makes it [Doctor Strange] special, and what makes it worth pursuing, and worth bringing to life for the first time.
I watch a lot of television and I watch a lot of film and I hate when you watch the action sequences - and I always tell when they use a stunt man - and then they put the actor in and you can tell these actors haven't done anything.
Acting is fun. I especially like the action sequences. That's what I do best.
I like knowing where I am in action sequences if I'm supposed to.
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